{"title":"粤语流行电子舞曲的颠覆性社会文化意义","authors":"M. Chew","doi":"10.2753/CSA0009-4625420204","DOIUrl":null,"url":null,"abstract":"This study identifies and analyzes the socioculturally subversive characteristics of \"Cantopop electronic dance music,\" a pop music genre that has been completely neglected by scholars. The first characteristic is the music's facilitation of local resistance against the cultural authority of global music producers, audiences, and gatekeepers. The second is its empowering of underprivileged local social groups against local cultural elites. Next is its adoption of a colloquial vocabulary and local dialect instead of the national standard language. And last is its playful deconstruction of the conservative social ideologies embodied in mainstream Cantopop.","PeriodicalId":84447,"journal":{"name":"Chinese sociology and anthropology","volume":"42 1","pages":"76 - 93"},"PeriodicalIF":0.0000,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"16","resultStr":"{\"title\":\"The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music\",\"authors\":\"M. Chew\",\"doi\":\"10.2753/CSA0009-4625420204\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study identifies and analyzes the socioculturally subversive characteristics of \\\"Cantopop electronic dance music,\\\" a pop music genre that has been completely neglected by scholars. The first characteristic is the music's facilitation of local resistance against the cultural authority of global music producers, audiences, and gatekeepers. The second is its empowering of underprivileged local social groups against local cultural elites. Next is its adoption of a colloquial vocabulary and local dialect instead of the national standard language. And last is its playful deconstruction of the conservative social ideologies embodied in mainstream Cantopop.\",\"PeriodicalId\":84447,\"journal\":{\"name\":\"Chinese sociology and anthropology\",\"volume\":\"42 1\",\"pages\":\"76 - 93\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2009-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"16\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Chinese sociology and anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2753/CSA0009-4625420204\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Chinese sociology and anthropology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2753/CSA0009-4625420204","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music
This study identifies and analyzes the socioculturally subversive characteristics of "Cantopop electronic dance music," a pop music genre that has been completely neglected by scholars. The first characteristic is the music's facilitation of local resistance against the cultural authority of global music producers, audiences, and gatekeepers. The second is its empowering of underprivileged local social groups against local cultural elites. Next is its adoption of a colloquial vocabulary and local dialect instead of the national standard language. And last is its playful deconstruction of the conservative social ideologies embodied in mainstream Cantopop.