德泊城展览中心的解构概念设计与分离诠释

Muhammad Farhan Ghazy, A. D. Tohjiwa
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引用次数: 0

摘要

当代城市环境总是唤起一系列令人印象深刻的艺术建筑反应,人们不再对统一感兴趣,而是接受某些元素的碎片化。在考虑以设计为基础的当代解决问题的努力时,它也将设计与研究联系起来,以找到解决方案。本研究的重点是通过对基于设计研究的新设计定义的质疑,对如何解读德波城展览中心的解构主义概念设计进行批判性思考。对解构概念的理解,是将屈米的析取理论作为一种基于可视化探索的方法论过程。Disjunction的诠释有助于将Depok市的新展览中心设计定义为城市发电机。希望本研究能够对将设计的“构建语言”作为一种基于思想和经验的开放可能性的研究行为进行指导有益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DECONSTRUCTION CONCEPT DESIGN OF EXHIBITION CENTER IN DEPOK CITY WITH DISJUNCTION INTERPRETATION
Contemporary urban condition always evoke a series of impressive artistic architectural responses with an understanding that is no longer interested in unity, but also accepts the fragmentation of certain elements. When considering contemporary problem-solving efforts with design-based responses, it will also link design with research to find out solutions. This research focuses on conveying critical reflections on how to interpret the deconstruction concept design of Exhibition Center in Depok City by questioning the new design definition based on research by design. The understanding of the deconstruction concept uses Bernard Tschumi's disjunction theory as a methodological process based on the visualization exploration. Disjunction interpretation helped to define the new Exhibition Center design in Depok City as urban generator. It is hoped that this research would be beneficial in guiding to considering the "built language" of design as an act of research that are open to possibilities based on thought and experience.
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