第二章抒情与抒情

IF 0.2 4区 历史学 0 CLASSICS
E. Prodi
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引用次数: 0

摘要

狄狄莫斯对古代抒情诗进行了广泛的研究。现存的最大量的材料来自品达学术院,涉及品达的伊皮尼西亚人,但也有他对其他作家的评论的片段和证词,以及一篇关于抒情诗人的论文。本章回顾了低土莫斯抒情学术研究的证据,然后讨论了《论抒情诗人》的内容——其幸存的片段是关于抒情流派的识别和它们名字的词源——以及贯穿他品达尔式注释的线索:早期学术研究的汇编和评估,史学证据的使用,文本批评,对品达尔语料库构成的关注和对个别诗歌的语境化,以及文学解释的策略,如求助于反复出现的品达尔主题和一段话的思路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Chapter Two Didymus and lyric
Didymus worked extensively on archaic lyric poetry. The greatest amount of surviving material comes from the Pindar scholia and concerns Pindar’s Epinicians, but there are fragments and testimonies of his commentaries to other authors and a treatise On Lyric Poets. This chapter reviews the evidence for Didymus’ lyric scholarship, then discusses the contents of the On Lyric Poets—whose surviving fragments are concerned with the identification of lyric genres and the etymologies of their names—and the threads that run through his Pindaric exegesis: the compilation and evaluation of earlier scholarship, the use of historiographical evidence, textual criticism, a concern for the constitution of the Pindaric corpus and the contextualization of individual poems, and strategies of literary interpretation such as recourse to recurrent Pindaric themes and the train of thought of a passage.
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