IF 0.2 2区 艺术学 0 ART
K. Kaisla
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引用次数: 1

摘要

对外交往和前往柏林举办展览对于长期处于危机状态的Gallen的艺术输出来说是非常重要的。虽然柏林标志着他的纯象征主义绘画的结束,这一时期的主题,特别是在加伦的原始版画,他集中在1895年底。1895年春,加伦进行了一次短暂的英国学习之旅,之后他在应用艺术方面的各种实验蓬勃发展,他们的目标是成为“艺术的整体作品”(Gesamtkunstwerk)。在Gallen的绘画中,所谓的Kalela时期,在他留在柏林之后,努力走向典型的时代精神的装饰。在所有的阶段中,加伦在德国引起的兴趣是从他1895年的展览开始的。在这方面,可以说加伦的国际突破是正确的。他在德国十多年的成功也被整个德语国家所注意到,并使加伦在匈牙利,P…
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Akseli Gallen‐Kallela and Germany
Summary Foreign contacts and a trip to Berlin for staging an exhibition were of great importance for Gallen's artistic output, which had long been in a state of crisis. Although Berlin marks the end of his purely symbolist paintings, the themes of the period came forth particularly in Gallen's original prints, on which he concentrated in late 1895. In the spring of 1895 Gallen undertook a brief study trip to England, after which his varied experiments in applied arts flourished, their goalbeinga"totalworkofart” (Gesamtkunstwerk). In Gallen's paintings, the so‐called Kalela‐period, following his stay in Berlin, strove towards the decorativeness typical of the spirit of the times. In all its stages, the interest generated by Gallen in Germany followed from his exhibition in 1895. In this respect, it is correct to speak of Gallen's international breakthrough. His success in Germany for a period of over ten years was also noted throughout the German‐speaking countries, and made Gallen known also in Hungary, P...
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: Konsthistorisk tidskrift/Journal of Art History includes investigations on art, architecture, and visual culture. We welcome articles on works, creators, and specific themes, as well as on theory and historiography. Accepted articles can be thorough explorations of a topic in accordance with a standard academic genre. We also welcome texts in a shorter, less finished format, functioning as openings to discussions.
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