萨罗斯特史学中的时间矩阵与邪恶的循环

IF 0.1 0 PHILOSOPHY
S. Papaioannou
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引用次数: 0

摘要

根据莱因哈特·科塞莱克(Reinhart Koselleck)的说法,历史过程以一种特殊的时间性为特征,这种时间性不同于他的历史主体在自然界中发现和经历的时间性。这种时间性不是线性的,而是多层次的,并作为历史的因果力量发挥作用。历史编纂过程也遵循着类似的多层次发展过程,而且常常伴随着重复。重复在“科学的”历史过程中插入了循环时间,即对时间更自然的理解,并给它注入了一种宿命论的感觉,但也暗示了历史过程是可以预测和控制的。我将研究线性时间和循环历史时间的相互作用,正如在萨罗斯特的史学著作中观察到的对时间性的理解所表达的那样。朱古鲁战争和对喀提林的战争所涉及的事件似乎相似,在这方面,它们证实了历史时间的循环性;然而,这些相同的事件以连续的顺序发生,其结果是循环性通过进展而扩散。然而,进程并不是一维的,因为它受制于多个叙事视角。我论文的最后一部分将表明,在朱古鲁战争和反对卡提林的战争中,萨勒斯特对循环历史时间的理解的多种可能的重建,决定了李维的汉尼拔的特征,这反过来又将互文性注入了独特的时间(并由此延伸,历史)方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Matrices of Time and the Recycling of Evil in Sallust’s Historiography
Historical process, according to Reinhart Koselleck, is distinguished by a special kind of temporality different from that found in nature and experienced by his historical subjects. This temporality is not linear but multileveled, and functions as a causal force of history. The historiographical process follows a similar course of multileveled development, and often it is accompanied by repetition. Repetition inserts circular time, that is, a more nature-oriented understanding of time, in the ‘scientific’ historical process, and infuses it with a sense of predeterminism, but also with a suggestion that historical process may be predicted and controlled. I shall study the interaction of linear time and circular historical time, as expressed in the understanding of temporality as observed in Sallust’s historiographical work. The Jugurthine War and the War against Catiline relate events that seem similar, and in this respect they substantiate the circularity of historical time; still, these same events have occurred in successive order, as a result of which circularity is diffused through progression. And yet, progression is not one-dimensional because it is subject to more than one narrative perspective. The final part of my paper will show that the multiple possible reconstructions of Sallust’s understanding of circular historical time in the Jugurthine War and the War against Catiline , have determined the characterization of Livy’s Hannibal, which in turn infuses intertextuality with a distinct temporal (and by extension, historical) side.
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