{"title":"YouTube表演《宅在家》:代表和重塑意大利2020年新冠肺炎封锁下的家庭空间","authors":"Paolo Boccagni, A. Brodesco, Federico La Bruna","doi":"10.1080/14616696.2022.2043411","DOIUrl":null,"url":null,"abstract":"ABSTRACT What does ‘staying at home’ mean, and how is it represented online, once it suddenly becomes a legal obligation? This article explores the ways to display and resignify the domestic space through the frames of YouTube during the first nationwide lockdown in Italy in spring 2020. While being enforced at home, and possibly as a way to cope with this, YouTube creators perceive, display and (re)adapt their dwellings in contrasting ways along the continuum between safe shelter and prison; as proper domestic space but also as functional equivalent of extra-domestic ones such as gyms and offices; as the necessary backdrop for their performances or as a setting to be exhibited in its own right. Based on a content analysis of 989 videos using the hashtag #iorestoacasa [‘I’m staying home’] between March and May 2020, this article explores how the domestic space is turned into a stage for public (YouTube-mediated) activities, thereby revealing an increasing permeability between private and public domain. This, in turn, invites to further investigate the complex entanglements of private and public, ‘displayed’ and ‘invisibilized’, as an expression of the constitutive ambivalence of the home.","PeriodicalId":47392,"journal":{"name":"European Societies","volume":"115 1","pages":"129 - 153"},"PeriodicalIF":2.3000,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"‘Stayhome’ as a YouTube performance: representing and reshaping domestic space under the 2020 covid lockdown in Italy\",\"authors\":\"Paolo Boccagni, A. Brodesco, Federico La Bruna\",\"doi\":\"10.1080/14616696.2022.2043411\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT What does ‘staying at home’ mean, and how is it represented online, once it suddenly becomes a legal obligation? This article explores the ways to display and resignify the domestic space through the frames of YouTube during the first nationwide lockdown in Italy in spring 2020. While being enforced at home, and possibly as a way to cope with this, YouTube creators perceive, display and (re)adapt their dwellings in contrasting ways along the continuum between safe shelter and prison; as proper domestic space but also as functional equivalent of extra-domestic ones such as gyms and offices; as the necessary backdrop for their performances or as a setting to be exhibited in its own right. Based on a content analysis of 989 videos using the hashtag #iorestoacasa [‘I’m staying home’] between March and May 2020, this article explores how the domestic space is turned into a stage for public (YouTube-mediated) activities, thereby revealing an increasing permeability between private and public domain. This, in turn, invites to further investigate the complex entanglements of private and public, ‘displayed’ and ‘invisibilized’, as an expression of the constitutive ambivalence of the home.\",\"PeriodicalId\":47392,\"journal\":{\"name\":\"European Societies\",\"volume\":\"115 1\",\"pages\":\"129 - 153\"},\"PeriodicalIF\":2.3000,\"publicationDate\":\"2022-03-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Societies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/14616696.2022.2043411\",\"RegionNum\":1,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Societies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/14616696.2022.2043411","RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIOLOGY","Score":null,"Total":0}
‘Stayhome’ as a YouTube performance: representing and reshaping domestic space under the 2020 covid lockdown in Italy
ABSTRACT What does ‘staying at home’ mean, and how is it represented online, once it suddenly becomes a legal obligation? This article explores the ways to display and resignify the domestic space through the frames of YouTube during the first nationwide lockdown in Italy in spring 2020. While being enforced at home, and possibly as a way to cope with this, YouTube creators perceive, display and (re)adapt their dwellings in contrasting ways along the continuum between safe shelter and prison; as proper domestic space but also as functional equivalent of extra-domestic ones such as gyms and offices; as the necessary backdrop for their performances or as a setting to be exhibited in its own right. Based on a content analysis of 989 videos using the hashtag #iorestoacasa [‘I’m staying home’] between March and May 2020, this article explores how the domestic space is turned into a stage for public (YouTube-mediated) activities, thereby revealing an increasing permeability between private and public domain. This, in turn, invites to further investigate the complex entanglements of private and public, ‘displayed’ and ‘invisibilized’, as an expression of the constitutive ambivalence of the home.
期刊介绍:
European Societies, the flagship journal of the European Sociological Association, aims to promote and share sociological research related to Europe. As a generalist sociology journal, we welcome research from all areas of sociology. However, we have a specific focus on addressing the socio-economic and socio-political challenges faced by European societies, as well as exploring all aspects of European social life and socioculture.
Our journal is committed to upholding ethical standards and academic independence. We conduct a rigorous and anonymous review process for all submitted manuscripts. This ensures the quality and integrity of the research we publish.
European Societies encourages a plurality of perspectives within the sociology discipline. We embrace a wide range of sociological methods and theoretical approaches. Furthermore, we are open to articles that adopt a historical perspective and engage in comparative research involving Europe as a whole or specific European countries. We also appreciate comparative studies that include societies beyond Europe.
In summary, European Societies is dedicated to promoting sociological research with a focus on European societies. We welcome diverse methodological and theoretical approaches, historical perspectives, and comparative studies involving Europe and other societies.