斯宾塞、罗斯金与中世纪英国的维多利亚文化

Q1 Arts and Humanities

Spenser Studies Pub Date : 2019-01-01 DOI:10.1086/699752

William N. West

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引用次数: 0

摘要

文艺复兴时期的维多利亚时代的学者们把斯宾塞的《仙后》中对一个虚构的骑士英格兰的向后凝视看作是一盏神奇的灯笼，通过它，1590年代的英格兰可以投射到过去，这样它就可以在1490年代的意大利文艺复兴之前，使伊丽莎白时代免受文艺复兴时期的过度行为的影响。对于19世纪90年代的批评家(包括被威廉·莫里斯重新塑造的罗斯金)来说，斯宾塞提供了一个倒退的分期。在某种程度上，我们当前的时期化问题继续在这种对中世纪和文艺复兴之间关系的修正主义(可能不够修正)的描述上绊倒。

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Spenser, Ruskin, and the Victorian Culture of Medieval England

Victorian scholars of the Renaissance took the backward gaze of Spenser’s Faerie Queene at an imaginary chivalric England as a magic lantern by which the England of the 1590s could be projected back in time so that it preceded the Renaissance Italy of the 1490s, keeping the Elizabethan era innocent of the excesses of the Renaissance. For critics of the 1890s (including Ruskin as reframed by William Morris), Spenser offered a periodization that went backward. To some extent our current questions of periodization continue to stumble on this revisionist (maybe insufficiently revisionist) account of the relation of medieval and Renaissance.

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来源期刊

Spenser Studies Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量