自我意识强,毫无歉意,直男:浪漫小说中的胖主角

IF 0.8 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Shana McDavis-Conway
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引用次数: 0

摘要

主流出版商采用独立出版言情小说的营销策略后,言情小说中肥胖人物的代表性增加。这些策略包括使胖女主人公和瘦男主角的配对正常化,将胖男主角嵌入更大的瘦角色系列中,从自我责备到自我授权的女主角转变,以及后来在书籍封面上明显的肥胖身体图像。肥胖的身体出现在封面上恰逢爱情书插图封面的流行,这使得出版商可以将肥胖的身体描绘成不具威胁性的漫画。与主流浪漫小说不同的是,酷儿浪漫小说的传统出版商拒绝加入肥胖角色,尤其是有色人种的肥胖角色。虽然浪漫故事中的体型多样性有可能颠覆经典的肥胖角色叙事,但最常用的叙事方式仍在强化性别期望。从面向女性读者的酷儿浪漫小说中很少出现肥胖配对,以及那些以女同性恋和酷儿女性为主题的流行浪漫小说作家的作品中,可以看出这种二元期望的弹性。后者在图书营销中很少包括肥胖的主角,而且在讲故事时表现出对控制体型的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Self-conscious, unapologetic, and straight: fat protagonists in romantic fiction
ABSTRACT The representation of fat characters in romantic fiction increased after mainstream publishers adopted the marketing strategies of independently published romance novels. These strategies include normalizing pairings of fat heroines and thin heroes, embedding a fat protagonist within a larger series of thin characters, a shift from self- reproaching to self-empowered heroines, and, later, images of explicitly fat bodies on book covers. The visibility of fat bodies on covers coincided with the rise in popularity of illustrated romance book covers, and has allowed publishers to depict larger bodies as non-threatening cartoons. Unlike mainstream romance, legacy publishers of queer romantic fiction have resisted the inclusion of fat characters, particularly fat characters of color. While size diversity in romance has the potential to subvert classic narrative tropes for fat characters, the most commonly used narratives continue to reinforce gendered expectations. The resilience of these binaried expectations can be seen in the rarity of fat pairings in queer romances marketed toward women readers, as well as in the oeuvre of popular authors of romances featuring lesbian and queer women. The latter rarely include fat protagonists in book marketing, and exhibit a preoccupation with controlling body size in their storytelling.
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来源期刊
CiteScore
1.80
自引率
20.00%
发文量
32
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