形象与崇拜:巴伊奇快乐夫人的偶像

IF 0.3 Q4 ANTHROPOLOGY
Nikola Piperski
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引用次数: 0

摘要

这篇论文的重点是17世纪晚期的圣母圣像的发展与孩子,被称为巴伊奇的快乐夫人,从它的起源到现在。以晚期拜占庭艺术的方式绘制,保存在巴涅茨圣方济会圣母升天修道院,这个伊塔洛-克里特圣像过去和现在都受到当地天主教和东正教斯拉夫人口的高度尊敬。在某一时刻,这个图标也开始被崇敬为格拉多夫赫圣母的图标,来自波斯尼亚图兹拉附近格拉多夫赫的方济各会修道院的奇迹图标。通过这一案例研究,本文旨在强调这样一个事实,即在许多世纪中,天主教和东正教教派的人口共同生活的地区,他们之间崇拜圣像的方式在形式和本质上都没有什么不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Image and the Cult: The Icon of Joyful Lady of Bač
This paper focuses on the development of the cult of the late 17th century icon of the Virgin with the Child, known as Joyful Lady of Bač, from its origins to the present day. Painted in the manner of late Byzantine art, and preserved in the Franciscan monastery of the Assumption of the Blessed Virgin in Bač, this Italo-Cretan icon was and still is highly venerated by local Slavic population of both Catholic and Orthodox denominations. At one point this icon also started to be venerated as the icon of Our Lady of Gradovrh, miraculous icon from the Franciscan monastery in Gradovrh near Tuzla in Bosnia. Through this case study, the paper aims at highlighting the fact that in the areas, where during many centuries population of both Catholic and Orthodox denominations lived together, the ways of veneration of holy images differed little among them in both form and essence.
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自引率
50.00%
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10 weeks
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