运行自己的人类实验的机器人:用多机器人喜剧探索关系幽默

Janani Swaminathan, Jane Akintoye, Marlena R. Fraune, H. Knight
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引用次数: 4

摘要

本文提出了一种街头式的研究方法,在野外进行人机交互研究,机器人通过招募受众,进行研究和收集数据来进行自己的实验。这种街头风格的研究方法是用多机器人喜剧作为平台,部署在一个艺术和科技节上,以验证这一概念。在7个小时的时间里,有12场机器人喜剧表演,舞台上有两个机器人,他们在每场表演期间和结束时向观众提问。多机器人方面使机器人能够表现出相互之间、自身之间和观众之间的互动。最后一种街头风格的研究方法是从当地农贸市场的试点发展而来的,其硬件设计便于携带和易于复制。机器人进行了他们自己的人类实验,在展示了实验中平衡的关系幽默片段后,他们向观众提问,并排列出谁是“笑话的对象”。“我们的研究结果探索了两个机器人和观众之间的关系幽默,要求观众同意或不同意特定的观点。”作为节目的一部分,机器人邀请观众通过举手投票。对百分比一致结果的方差分析发现:(1)观众对节目的所有方面都是积极的,除非两个机器人都是消极的;(2)观众更愿意保护机器人喜剧演员的自尊,而不是他们自己的自尊,强烈支持机器人做得很好的说法。新抽象
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Robots That Run their Own Human Experiments: Exploring Relational Humor with Multi-Robot Comedy
This paper proposes a street-style study method to conduct human-robot interaction studies in-the-wild where the robots conduct their own experiments by recruiting their audience, conducting the study and gathering data. This street-style study method was implemented using multi-robot comedy as the platform deployed at an arts and technology festival to validate the concept. Twelve robot comedy shows occurred over seven hours with two robots on stage, who queried the audience during and at the end of each show. The multi-robot aspect enabled the robots to act out interactions relative each other, oneself and the audience. The final street-style study method evolved from pilots at a local farmer’s market, with hardware designed for portability and easy replication. The robots conducted their own human experiments in that they queried the audience after displaying experimentally balanced episodes of relational humor, with permutations of who was the ‘butt of the joke.’ Our study results explore the relational humor of the two robots and the audience, asking the audience to agree or disagree with particular perspectives. Delivered as part of the show, the robots invite the audience to vote via a show of hands. ANOVA analyses of the percent-agreement results find that (1) audiences were generally positive about all aspects of the show unless both robots were being negative, and (2) audiences were more ready to protect the robot comedian’s ego than their own, strongly supporting the statement that the robot was doing a good job.New Abstract
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