《请以你的名字呼唤我》中的普遍性、差异性与幽灵性

IF 0.5 2区艺术学 0 FILM, RADIO, TELEVISION

JCMS-Journal of Cinema and Media Studies Pub Date : 2023-06-01 DOI:10.1353/cj.2023.a904627

Sergio Rigoletto

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引用次数: 0

摘要

《请以你的名字呼唤我》(卢卡·瓜达格尼诺，2017)体现了一种跨国电影制作模式，它追求一种普遍形式的易读性，这种易读性似乎淡化了历史和空间的特殊性。本文探讨了一些影评人认为《请以你的名字呼唤我》所代表的当下与影片似乎已经远离的过去之间的关系。把《请以你的名字呼唤我》作为一部关于当下的典范电影来讨论，其利害攸关之处在于，我们有机会质疑关于酷儿电影史的进步叙事的价值。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Universality, Difference, and Spectrality in Call Me by Your Name

abstract:Call Me by Your Name (Luca Guadagnino, 2017) exemplifies a transnational mode of filmmaking that aspires toward a universal form of legibility, one that seems to dilute both historical and spatial specificity. This article interrogates the relation between the present that Call Me by Your Name has been called on to represent by some critics and the past from which the film would seem to have moved away. At stake in discussing Call Me by Your Name as an exemplary film about the present is the opportunity to question the value of a progress narrative about queer film history.

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来源期刊

JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

1.20

自引率

0.00%

发文量