和解的融合

PRISM Pub Date : 2021-10-01 DOI:10.1215/25783491-9290664
E. Tan
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引用次数: 0

摘要

2015年出版的帕迪·古丽的《百年血脉》讲述了一位维吾尔族妇女法蒂玛的故事,她一边揭开自己的家族史,一边努力理解少数民族在多民族中国的大格局中的地位。小说以呼吁民族融合的积极信息结尾。采用国家认可的种族融合概念就是本文所说的和解性融合;它推崇以民族团结和经济进步为中心的多民族主义修辞。本文以中国的少数民族政策为背景来解读这部小说,考察主人公在文化、语言和地缘政治上的跨越,以及她将民族融合作为一种必要的生存模式所带来的影响。这使得这部小说可以被解读为帕迪古丽作为一个讲汉语的维吾尔族作家,在中国文学的主导传统中确立了自己的地位。作为少数几个杰出的维吾尔语作家之一,她不可避免地成为维持中国文学修辞包容性和多样性的象征。沿着这条思路,文章认为帕迪古丽作为作家的身份反映了她的主人公的身份,因为他们都对合并采取了和解的态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conciliatory Amalgamation
Published in 2015, Padi Guli's A Hundred Years of Bloodline tells the story of Fatima, a Uyghur woman's journey to unpack her family history while struggling to understand the status of ethnic minorities in the larger fabric of multiethnic China. The novel concludes with a positive message calling for ethnic integration. This adoption of a state-sanctioned concept of ethnic integration is what this article calls conciliatory amalgamation; it privileges a rhetoric of multiethnicism that centers on national unity and economic progress. This article reads the novel against the PRC's ethnic minority policy to examine the implications of the protagonist's cultural, linguistic, and geopolitical border-crossing as she comes to terms with ethnic amalgamation as a necessary mode of survival. This allows the novel to be read as a symptom of Padi Guli's status as a Sinophone Uyghur writer who establishes herself within the dominant tradition of Chinese literature. As one of the few prominent Sinophone Uyghur writers, she inevitably becomes a token that sustains the rhetoric of Chinese literature as inclusive and diverse. Along this line of thought, the article argues that Padi Guli's status as a writer mirrors that of her protagonist as they both adopt a conciliatory attitude toward amalgamation.
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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