艾米莉·勃朗特《呼啸山庄》中北京的哥特式建筑

Q4 Arts and Humanities
Dialogos Pub Date : 2022-11-29 DOI:10.24818/dlg/2022/39/13
Diana-Eugenia Panait-Ioncică
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引用次数: 0

摘要

目前的研究试图揭示艾米丽·勃朗特的小说《呼啸山庄》中的哥特式结构。哥特风格可以看作是中世纪神秘感的回归。我们把神秘看作是对存在的未知、无意识部分的探索。根据荣格的说法,我们的过去总是隐藏在我们存在的结构之下,潜伏在理性、有意识的头脑之下。它是我们精神的关键部分,因为,“……没有这些低级层次,我们的精神就会悬在空中”(荣格,1997:41)。荣格指出,存在着一种关于潜意识可能内容的原始恐惧,一种对“灵魂危险”的秘密恐惧(荣格,1997:20)。在这篇论文中,我们试图揭示的正是这些“危险”,希望呈现出一种阅读小说的方式,能够丰富其意义,并澄清构成故事基础的一些神话模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gothic Structures of Being in Emily Bronte’s ‘Wuthering Heights’
The current study attempts to uncover Gothic structures of being in Emily Bronte’s novel ‘Wuthering Heights’. The Gothic could be seen as illustrating a comeback to the mystery of the Middle Ages. We see mystery as a search for the unknown, unconscious part of the being. According to Jung, our past is always underlying the structure of our being, lurking beneath the rational, conscious mind. It is a pivotal part of our spirit, as, ‘…Without these inferior levels, our spirit is left hanging in the air’ (Jung, 1997: 41). Jung states that there is a sort of primitive fear regarding the possible contents of the unconscious, a secret terror towards the ‘perils of the soul’ (Jung, 1997: 20). It is these ‘perils’ we are trying to shed light on in the current paper, in the hope of presenting a reading of the novel that will enrich its meaning and clarify some of the mythical patterns which form the basis of the story.
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来源期刊
Dialogos
Dialogos Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
16
审稿时长
8 weeks
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