{"title":"Dzieła upowszechnione pod nazwiskiem Duretiusa w krakowskiej edycji","authors":"Jarosław Nowaszczuk","doi":"10.18318/PL.2018.4.10","DOIUrl":null,"url":null,"abstract":"JAROSŁAW NOWASZCZUK University of Szczecin WORKS DISSEMINATED UNDER THE NAME OF DURETIUS IN CRACOW EDITION A collection of poems entitled „Litaniae Lauretanae” anagrammatice contextae. Corona quoque V. Beatissimae, ex S. Scripturae elogiis versu composita gives an insight into the artistic work reality and into many aspects of the baroque poetic workshop. Quintinus Duretius (Quentin DuRetz), to whom the collection is attributed, is indeed not its author. The poems are the effects of exercises in writing done by his apprentices, and were published in Antwerp in the year 1651. The false information about the collection’s authorship became also fixed due to the Poles. A Benedictine monk Stanisław Szczygielski claims in his writings that it was Duretius who authored the texts which were reedited in Cracow. From a rich collection of poetry contained in Rhetorum Collegii S. Adriani oppidi Gerardimontani in Flandria „Poesis anagrammatica” the Polish editor selected only such pieces which relate to Virgin Mary. Out of four separate parts of the first edition issued by the widow and Franciszek Cezary’s inheritors’ publishing house three were printed. They evidence a peculiar kind of creativity of young poets from Benedictine college which mingled a prayer structure with artistic texts. In the analysed pieces one discerns elements typical of baroque, so in a literary layer a strong affinity to anagrams and artistic expositions, while in the sphere of religion–cultivation of Marian laudatory piety, especially panegirycal antonomasia.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"16 1","pages":"165-184"},"PeriodicalIF":0.1000,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PAMIETNIK LITERACKI","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18318/PL.2018.4.10","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, SLAVIC","Score":null,"Total":0}
引用次数: 0
摘要
JAROSŁAW NOWASZCZUK什切青大学作品以杜雷修斯的名义在克拉科夫版传播题为“Litaniae Lauretanae”的诗歌集。Corona quoque V. Beatissimae, ex S. Scripturae logiis vs . composita对艺术作品的现实和巴洛克诗歌工作室的许多方面进行了深入了解。昆汀·杜雷提乌斯(昆汀·杜雷兹),这部文集的作者,确实不是作者。这些诗是他的学徒练习写作的结果,并于1651年在安特卫普出版。由于波兰人的原因,关于这本书作者身份的虚假信息也被修复了。一位本笃会修士Stanisław Szczygielski在他的著作中声称,是杜雷修撰写了在克拉科夫重新编辑的文本。从佛兰德里亚的《阿德里亚尼·奥皮迪·杰拉迪蒙塔尼的修辞学》中收录的丰富诗集中,波兰编辑只选择了与圣母玛利亚有关的作品。在寡妇和Franciszek Cezary的继承人的出版社发行的第一版的四个独立部分中,有三个被印刷出来。它们证明了本笃会学院年轻诗人的一种独特的创造力,他们将祈祷结构与艺术文本混合在一起。在分析的作品中,我们可以看出巴洛克风格的典型元素,所以在文学层面上,对字谜和艺术展示有很强的亲和力,而在宗教培养领域,对玛丽安的赞美虔诚,尤其是泛化的对象法。
Dzieła upowszechnione pod nazwiskiem Duretiusa w krakowskiej edycji
JAROSŁAW NOWASZCZUK University of Szczecin WORKS DISSEMINATED UNDER THE NAME OF DURETIUS IN CRACOW EDITION A collection of poems entitled „Litaniae Lauretanae” anagrammatice contextae. Corona quoque V. Beatissimae, ex S. Scripturae elogiis versu composita gives an insight into the artistic work reality and into many aspects of the baroque poetic workshop. Quintinus Duretius (Quentin DuRetz), to whom the collection is attributed, is indeed not its author. The poems are the effects of exercises in writing done by his apprentices, and were published in Antwerp in the year 1651. The false information about the collection’s authorship became also fixed due to the Poles. A Benedictine monk Stanisław Szczygielski claims in his writings that it was Duretius who authored the texts which were reedited in Cracow. From a rich collection of poetry contained in Rhetorum Collegii S. Adriani oppidi Gerardimontani in Flandria „Poesis anagrammatica” the Polish editor selected only such pieces which relate to Virgin Mary. Out of four separate parts of the first edition issued by the widow and Franciszek Cezary’s inheritors’ publishing house three were printed. They evidence a peculiar kind of creativity of young poets from Benedictine college which mingled a prayer structure with artistic texts. In the analysed pieces one discerns elements typical of baroque, so in a literary layer a strong affinity to anagrams and artistic expositions, while in the sphere of religion–cultivation of Marian laudatory piety, especially panegirycal antonomasia.