{"title":"美丽与厄运。另一个通过巴西贫民窟来接近Dionisio gonzalez工作的建议。","authors":"Fernando Sáez Pradas","doi":"10.5433/1984-7939.2021v17n30p28","DOIUrl":null,"url":null,"abstract":"The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrication, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy..","PeriodicalId":38555,"journal":{"name":"Discursos Fotograficos","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Belleza y fatalidad. Otra propuesta de aproximación a la obra de Dionisio González a través de las favelas brasileñas.\",\"authors\":\"Fernando Sáez Pradas\",\"doi\":\"10.5433/1984-7939.2021v17n30p28\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrication, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy..\",\"PeriodicalId\":38555,\"journal\":{\"name\":\"Discursos Fotograficos\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Discursos Fotograficos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5433/1984-7939.2021v17n30p28\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Discursos Fotograficos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5433/1984-7939.2021v17n30p28","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
迪奥尼西奥González (Gijón, 1965)的作品被插入到建筑、家庭和住房、士绅教育、房地产投机、贫穷主义(贫困旅游)、一个领土的社会文化发展的可能性等的辩论中。在这篇文章中,我们从另一个角度来探讨2004年至2007年间拍摄的巴西贫民窟Cartografías para a remoao摄影系列:美。我们基于二项分析他的作品,突出其中的美-危险和/或美-宿命二分法。
Belleza y fatalidad. Otra propuesta de aproximación a la obra de Dionisio González a través de las favelas brasileñas.
The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrication, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy..