波兰的犹太遗产和文化复兴

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
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引用次数: 0

摘要

近几十年来,人们对包括波兰在内的中欧和东欧的犹太遗产和犹太社区越来越感兴趣。这种文化现象被称为“犹太复兴”、“犹太复兴”或“犹太繁荣”,并表现出巨大的复杂性。这一现象包括两个相互交织的社会进程:犹太社区复兴和犹太遗产庆祝活动,后者包括犹太社区外部人士开展的各种文化活动。共产主义崩溃后,东欧集团的开放为重建犹太社区生活提供了外国机构的支持和资金。遗产和大屠杀旅游的日益普及使被忽视的历史犹太社区和遗址得以士绅化,并使犹太物质遗产得以翻新或修复。越来越多的人在发现自己的犹太根源后就开始追寻。“意想不到的一代”——出生于20世纪70年代末至90年代初的波兰人,他们在青少年时期就声称自己有犹太血统——已经带着自己的犹太观念出现了。与此同时,非犹太裔波兰人对犹太人和所有犹太人事物的兴趣日益浓厚,这体现在犹太风格文化产品的激增、新文化机构的开放(其中最引人注目的是华沙波兰犹太人历史博物馆)以及许多大学中出现的犹太研究项目上。然而,由于许多波兰城市和城镇举办某种犹太节日,全国各地都组织克莱兹默音乐音乐会,艺术家,知识分子和学者对“犹太复兴”的看法大相径庭。他们这样做主要是因为波兰是大屠杀的地理中心。波兰庞大,充满活力和多样化的犹太社区的遗迹很少,这些社区在第二次世界大战之前约占波兰人口的10%。直到最近,大多数对二战后波兰犹太人的历史和社会学分析都得出结论,犹太人社区将很快结束。据估计,犹太社区成员的人数从7,000多一点到20,000人不等。波兰社会在种族和宗教方面仍然是明显的同质性,主要是罗马天主教徒。因此,犹太文化的复兴和犹太记忆的保存主要是由非犹太人进行的,而且大部分是针对非犹太人的受众。因此,这种现象经常被视为一种拟像,一种缺乏真实性的文化盗窃——关于波兰参与大屠杀和广泛的反犹太主义的道德矛盾的努力。然而,一些学者对犹太文化复兴提出了另一种解读,这种解读不仅仅是对失去的遗产的模仿和复制,而是需要重新创造一种新的犹太文化,这种文化可能会创造一个新的犹太人/非犹太人的接触区。后一种方法承认波兰和外国犹太人社区在这一现象中所起的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jewish Heritage and Cultural Revival in Poland
Interest in the Jewish heritage and Jewish communities of Central and Eastern Europe, including Poland, has grown in recent decades. The cultural phenomenon has been termed variously as the “Jewish renaissance,” “Jewish revival,” or “Jewish boom” and has demonstrated enormous complexity. The phenomenon consists of two intertwined social processes: a Jewish communal revival and a Jewish heritage celebration, the latter of which includes various cultural initiatives undertaken by outsiders to the Jewish community. The opening of the Eastern Bloc after the collapse of communism made foreign institutional support and funding for the renewal of Jewish communal life available. The growing popularity of heritage and Holocaust tourism enabled the gentrification of neglected historical Jewish neighborhoods and sites and renovation or restoration of material Jewish heritage. Increasingly people have pursued their Jewish roots upon discovering them. The “unexpected generation”—the generation of Poles born between the late 1970s and the early 1990s who claimed their Jewish ancestry as teenagers—has emerged carrying their own notions of Jewishness. Simultaneously, growing interest by non-Jewish Poles in Jews and all things Jewish has been observable in the multiplication of Jewish-style cultural products, in the opening of new cultural institutions (of which the most notable is the POLIN Museum of the History of Polish Jews in Warsaw), and in the emergence of Jewish studies programs at many universities. However, as many Polish cities and towns hold Jewish festivals of some kind and concerts of klezmer music are organized all over the country, artists, intellectuals, and scholars approach the “Jewish revival” with widely divergent views. They do so mainly because Poland was the geographic epicenter of the Holocaust. Little remains of Poland’s large, vibrant, and diverse Jewish communities, which, prior to World War II, constituted approximately 10 percent of the Polish population. Until recently, most historical and sociological analysis of Jews in Poland after World War II concluded that the Jewish community will soon end. Estimates of the number of members of Jewish communities range from a little over 7,000 to 20,000 people. Polish society remains overtly homogenous in terms of its ethnicity and religion, identifying mostly as Roman Catholic. Therefore, the revival of Jewish culture and the preservation of Jewish memory have been carried out mainly by non-Jews and, for the most part, for non-Jewish audiences. Consequently, the phenomenon has been often perceived as a simulacrum, as a cultural theft lacking authenticity—morally ambivalent endeavors concerning Polish complicity in the Holocaust and widespread anti-Semitism. Yet, some scholars have put forward another reading of the Jewish cultural revival, one that is not mere imitation and reproduction of the lost heritage but rather one that entails the reinvention of a new Jewish culture, which may create a new Jewish/non-Jewish contact zone. The latter approach acknowledges the role that both Polish and foreign Jewish communities have played in the phenomenon.
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Nordisk Judaistik-Scandinavian Jewish Studies
Nordisk Judaistik-Scandinavian Jewish Studies HUMANITIES, MULTIDISCIPLINARY-
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