看看文学博览会的世界

R. Gennaro
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引用次数: 0

摘要

“La Fiera Letteraria”是法西斯时代最受欢迎的文学期刊之一。它不是写给专家或专业读者的。它有一个非常折衷的环境。它给不同的倾向提供了空间。它为文学景观提供了一个广泛而多样的聚光灯。“La Fiera”倾向于传达信息而不是形成,表现而不是精心制作。它主要是一份公报,记录了文学界的动向和发生的事情,反映了所有不同的立场。本文从当时的文化政治出发,考察了“拉法埃拉”与法西斯政权之间的联系。这是基于知识分子可以通过期刊、会议、展览和各种文化活动,在国内外扮演意大利流行文化的创造者和传播者的角色。这一政策是由双重使命驱动的:内部征服(创造一个新的法西斯意大利);对外征服,也被称为“精神帝国主义”(利用神话和思想,传播到国外,以促进意大利的文化认同、利益、影响和霸权)。这涉及到意大利与世界文化之间的关系问题,这是一个巨大的话题,完全落在“Fiera”的范围内,它非常关注各种外国文化,特别是文学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
sguardo sul mondo della Fiera Letteraria
"La Fiera Letteraria" is one of the most popular literary journals of the fascist era. It is not addressed to specialists or professional readers. It has a very eclectic setting. It gives place to different tendencies. It offers a wide and various limelight of the literary landscape. “La Fiera” tends to inform more than to form, to represent rather than elaborate. It is mainly a gazette, a chronicle of what moves and happens in the literary world, reflecting all different positions. This paper investigates the link between “La fiera” and the fascist regime, starting at that time its cultural politics. This was based on the role that intellectuals could play as creators and diffusers of a popular Italian culture, both at home and abroad, through journal, conferences, expositions and all sorts of cultural events. This policy was driven by a dual mission: the internal conquest (the creation of a new fascist Italian); the external conquest, also called "spiritual imperialism" (the use of myths and ideas, disseminated abroad, to promote Italian cultural identity, interests, influence, and hegemony). This involved the problem of the relationship between the Italian and the world culture, a huge topic that fell fully within the perimeter beaten by the "Fiera", which was very attentive to various foreign cultures, particularly to literature.
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