艺术作为政治主题的话语建构:波兰美学思想选录

IF 0.3 3区 文学 0 LITERATURE
Lidia Godek
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引用次数: 0

摘要

本研究旨在捕捉和探索美学与广泛理解的政治作为一种文化现象之间的动态关系。艺术在社会政治背景下的纠缠(“艺术的政治化”)从制度的角度(1945年后波兰马克思主义思想的发展)和社会活动领域内的普通结构(马克思主义美学假设的实现)进行了讨论。因此,主要目标是分析马克思主义对二十世纪波兰美学的影响,特别强调战后时期(1945年之后),当时该思想流派的基本模式形成了。主要的焦点是在波兰社会主义现实主义理论中找到的马克思主义概念的方法。分析还涉及对马克思主义归结为社会主义现实主义意识形态以及与之相关的艺术意识形态的反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Discursive Construction of Art as a Subject of Politics: Selected Notes on Polish Aesthetic Thought
ABSTRACT The study seeks to capture and explore the dynamic relationship between aesthetics and broadly understood politics as a cultural phenomenon. The entanglement of art in sociopolitical contexts (“politicization of art”) is discussed from the institutional perspective (development of Marxist thought in Poland after 1945) and within the domain of social activity – the structure of the ordinary (realization of aesthetic postulates of Marxism). The main objective is thus to analyze the effect of Marxism on the twentieth-century aesthetics in Poland with a special emphasis on the postwar period (after 1945), when the basic patterns of that school of thinking took shape. The main focus is on the approach to the Marxist concept found in the theory of Polish Socialist realism. The analysis also involves reflections on the reduction of Marxism to the ideology of Socialist realism and the ideology of art which is associated with it.
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来源期刊
Comparative Literature East  West
Comparative Literature East West Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
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0.00%
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14
审稿时长
20 weeks
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