没有面包屑的迷失:罗伯特·埃格斯的《女巫》中的家庭、替罪羊和虐待的合理化

4区 文学 Q2 Arts and Humanities
Olivetti
{"title":"没有面包屑的迷失:罗伯特·埃格斯的《女巫》中的家庭、替罪羊和虐待的合理化","authors":"Olivetti","doi":"10.13110/marvelstales.34.2.0239","DOIUrl":null,"url":null,"abstract":"Abstract:In The Witch: A New England Folktale, writer-director Robert Eggers draws heavily from the fairy-tale tradition, particularly the abandoned children narrative and its most famous representative, \"Hansel and Gretel.\" This tale has been criticized by Jack Zipes for the ways it rationalizes \"child abuse in the name of the symbolic order of the father.\" Rather than perpetuating the power imbalances that sustain social institutions, the film brings to them light through the characterization of family members, their relationships with one another, and the representation of methods by which such abuse often occurs.","PeriodicalId":42276,"journal":{"name":"Marvels & Tales-Journal of Fairy-Tale Studies","volume":"38 1","pages":"239 - 255"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Lost without Breadcrumbs: Family, Scapegoating, and the Rationalization of Abuse in Robert Eggers's The Witch\",\"authors\":\"Olivetti\",\"doi\":\"10.13110/marvelstales.34.2.0239\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In The Witch: A New England Folktale, writer-director Robert Eggers draws heavily from the fairy-tale tradition, particularly the abandoned children narrative and its most famous representative, \\\"Hansel and Gretel.\\\" This tale has been criticized by Jack Zipes for the ways it rationalizes \\\"child abuse in the name of the symbolic order of the father.\\\" Rather than perpetuating the power imbalances that sustain social institutions, the film brings to them light through the characterization of family members, their relationships with one another, and the representation of methods by which such abuse often occurs.\",\"PeriodicalId\":42276,\"journal\":{\"name\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"volume\":\"38 1\",\"pages\":\"239 - 255\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/marvelstales.34.2.0239\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marvels & Tales-Journal of Fairy-Tale Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/marvelstales.34.2.0239","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1

摘要

摘要:在《女巫:新英格兰民间故事》中,编剧兼导演罗伯特·埃格斯大量借鉴了童话传统,尤其是弃儿叙事及其最著名的代表作品《汉塞尔与格莱特》。这个故事被杰克·齐普斯批评为“以父亲的象征性秩序之名虐待儿童”的合理化方式。这部电影没有延续维持社会制度的权力不平衡,而是通过对家庭成员的刻画,他们之间的关系,以及这种虐待经常发生的方式的表现,将这些不平衡揭示出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lost without Breadcrumbs: Family, Scapegoating, and the Rationalization of Abuse in Robert Eggers's The Witch
Abstract:In The Witch: A New England Folktale, writer-director Robert Eggers draws heavily from the fairy-tale tradition, particularly the abandoned children narrative and its most famous representative, "Hansel and Gretel." This tale has been criticized by Jack Zipes for the ways it rationalizes "child abuse in the name of the symbolic order of the father." Rather than perpetuating the power imbalances that sustain social institutions, the film brings to them light through the characterization of family members, their relationships with one another, and the representation of methods by which such abuse often occurs.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信