“相信我”:《暮光之城》和《饥饿游戏》中动荡的市场

4区 社会学 Q2 Arts and Humanities
Meghanne Flynn, Sarah Hardstaff
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引用次数: 1

摘要

2008年,这部电影被评论界称赞为史蒂芬妮·梅耶的《暮光之城》系列的“解毒剂”,柯林斯饰演的凯特尼斯·伊夫狄恩被誉为积极的女权主义者,以对抗梅耶饰演的消极的贝拉·斯旺。迈耶的系列小说结束时,柯林斯的系列小说开始了,都是在2008年金融危机期间。这两个系列都与投机金融有着令人信服的联系。《饥饿游戏》激发了年轻人的想象力,他们被一场并非由他们造成的危机所惩罚和排斥,同时面临着未来的不确定性;经济学家诺里娜·赫兹(Noreena Hertz)以凯特尼斯(Katniss)命名今天的年轻人为“K一代”(Hertz 2016)。同时,批评《暮光之城》中的爱德华·卡伦是“被补偿的精神病患者”(Merskin 2011,157)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Trust Me": Volatile Markets in Twilight and The Hunger Games
WH E N SU Z A N N E CO L L I N S’S TH E HU N G E R GA M E S W A S P U B L I S H E D I N 2008, it was critically praised as the “antidote” to Stephenie Meyer’s Twilight Saga, with Collins’s Katniss Everdeen heralded as the active feminist agent to counter Meyer’s passive Bella Swan. Meyer’s series drew to a close as Collins’s began, both in the midst of the 2008 financial crisis. Both series are compellingly connected to speculative finance. The Hunger Games caught the imagination of youth punished and excluded by a crash they did not cause, while facing uncertainty about the future; economist Noreena Hertz has dubbed today’s youth “Generation K” after Katniss (Hertz 2016). Meanwhile, critiques of Twilight’s Edward Cullen as “compensated psychopath” (Merskin 2011, 157)
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来源期刊
CR-THE NEW CENTENNIAL REVIEW
CR-THE NEW CENTENNIAL REVIEW HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
0
期刊介绍: The New Centennial Review is devoted to comparative studies of the Americas that suggest possibilities for a different future. Centennial Review is published three times a year under the editorship of Scott Michaelsen (Department of English, Michigan State University) and David E. Johnson (Department of Comparative Literature, SUNY at Buffalo). The journal recognizes that the language of the Americas is translation, and that questions of translation, dialogue, and border crossings (linguistic, cultural, national, and the like) are necessary for rethinking the foundations and limits of the Americas.
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