周六夜现场

IF 0.2 0 FILM, RADIO, TELEVISION

Journal of Italian Cinema and Media Studies Pub Date : 2020-07-29 DOI:10.1093/obo/9780199791286-0334

Peter C. Kunze

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引用次数: 0

摘要

自20世纪70年代以来，《周六夜现场》已经证明了自己是最具影响力的电视节目之一。洛恩·迈克尔斯(Lorne Michaels)于1975年至1980年创作了这部剧，并担任执行制片人，1985年再次担任执行制片人，直到现在;在他离开期间，Jean Doumanian负责1980-1981赛季，Dick Ebersol从1981年开始制作这部剧，直到迈克尔斯回归。借鉴多样化的形式，周六夜现场提供了一个独特的窗口到当代美国文化与流行的嘉宾主持人和音乐嘉宾，话题幽默和现场表演。剧中丰富的人物形象和流行语已经成为流行词汇，而其影响可以在喜剧现场表演、电影、新媒体以及其他电视节目中发现。这份参考书目将《周六夜现场》学术研究和新闻学的主要评论作品大致分为七类:对节目结构和风格的研究;对它如何代表各种身份的批评;前演员和作家的第一手资料;对该节目的发展、制作和在电视行业中的地位的历史分析;审查其对新闻媒体的反应和影响;对演出期间主要表演者的批判性研究;最后，讨论该剧对美国政治话语的影响。这本参考书目中的学术研究跨越了传播和媒体研究的许多领域，揭示了该剧对我们理解喜剧、政治和电视的持续重要性。这部剧用讽刺和喜剧小品来审视和批判美国社会和文化，至今仍是一部经久不衰的节目。

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Saturday Night Live

Since the 1970s, Saturday Night Live has proven itself to be one of television’s most influential programs. Lorne Michaels created the show and served as executive producer from 1975 to 1980, then again from 1985 until the present; during his absence, Jean Doumanian oversaw the 1980–1981 season and Dick Ebersol produced the show from 1981 until Michaels’ return. Drawing on the variety format, Saturday Night Live provides a unique window into contemporary US culture with its popular guest hosts and musical guests, topical humor, and live presentation. Its wealth of characters and catchphrases has made its way into the popular lexicon, while its impact can be detected in live comedy performances, film, and new media, as well as other television programs. This bibliography loosely organizes the major critical works of Saturday Night Live scholarship and journalism into seven categories: studies of the show’s structure and style; critiques of how it has represented various identities; firsthand accounts by former performers and writers; historical analyses of the show’s development, production, and place within the television industry; examinations of its response to and influence on the news media; critical studies of key performers during the show’s run; and, finally, discussions of the show’s effect on US political discourse. The scholarship in this bibliography crosses many areas within communication and media studies, revealing the ongoing importance of the show to our understanding of comedy, politics, and television. Using satire and sketch comedy to both scrutinize and send up American society and culture, the show remains an enduring institution.

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来源期刊

Journal of Italian Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

50.00%

发文量

期刊介绍： Journal of Italian Cinema & Media Studies is an English-language forum for theoretical, methodological and critical debate on Italian film and media production, reception and consumption. It provides a platform for dialogue between academics, filmmakers, cinema and media professionals. This peer-reviewed journal invites submissions of scholarly articles relating to the artistic features, cultural themes, international influence and history of Italian film and media. Furthermore, the journal intends to revive a critical discussion on the auteurs, revisit the historiography of Italian cinema and celebrate the dynamic role played by new directors. The journal includes a book and film review section as well as notes on Italian film festivals abroad and international conference reports. The profound transformation undergone by the rapidly expanding media environment under the impact of digital technology, has lead scholars in the field of media studies to elaborate new theoretical paradigms and methodological approaches to account for the complexities of a changing landscape of convergence and hybridization. The boundaries between cinema and media as art forms and fields of inquiry are increasingly hybridized too. Taking into account this evolving scenario, the JICMS provides an international arena for critical engagement with a wider range of issues related to the current media environment. The journal welcomes in particular contributions that discuss any aspects of Italian media production, distribution and consumption within national and transnational, social, political, economic and historical contexts.