L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
{"title":"13. 与版权有关的权利","authors":"L. Bently, B. Sherman, D. Gangjee, Phillip Johnson","doi":"10.1093/HE/9780198769958.003.0013","DOIUrl":null,"url":null,"abstract":"This chapter deals with regimes that are related to, but fall outside of, the remit of copyright law: performers’ rights; database right; public lending right; rights relating to technological protection measures and rights management information; the so-called droit de suite (artist’s resale royalty right); and proposals for a new press publishers right.","PeriodicalId":88929,"journal":{"name":"Marquette intellectual property law review","volume":"336 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"13. Rights associated with copyright\",\"authors\":\"L. Bently, B. Sherman, D. Gangjee, Phillip Johnson\",\"doi\":\"10.1093/HE/9780198769958.003.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter deals with regimes that are related to, but fall outside of, the remit of copyright law: performers’ rights; database right; public lending right; rights relating to technological protection measures and rights management information; the so-called droit de suite (artist’s resale royalty right); and proposals for a new press publishers right.\",\"PeriodicalId\":88929,\"journal\":{\"name\":\"Marquette intellectual property law review\",\"volume\":\"336 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marquette intellectual property law review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/HE/9780198769958.003.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marquette intellectual property law review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/HE/9780198769958.003.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter deals with regimes that are related to, but fall outside of, the remit of copyright law: performers’ rights; database right; public lending right; rights relating to technological protection measures and rights management information; the so-called droit de suite (artist’s resale royalty right); and proposals for a new press publishers right.