查尔斯·威廉·斯塔布斯与莎士比亚:二十世纪之交英国文学的化身与狂热

IF 0.1 4区 哲学 0 LITERATURE
M. Cerezo
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引用次数: 2

摘要

摘要:1899年4月23日,伊利学院院长查尔斯·威廉·斯塔布斯在埃文河畔斯特拉特福圣三一教堂举行了莎士比亚布道会。莎士比亚的布道后来被扩展为斯塔布斯在剑桥的胡尔肖恩讲座(1904-1905)之一,并于1906年出版在《英国诗歌的基督》一书中。本文表明,斯塔布斯对莎士比亚作为英国文艺复兴时期基督人格的主要文学代表的深刻分析,是对20世纪之交弗雷德里克·丹尼森·莫里斯的化身社会神学的独特的宗教和文学反思。正如本文所解释的,斯塔布斯与奥古斯特·孔德、瓦尔特·白芝霍特、朱塞佩·马志尼和爱德华·道登建立的对话强化了这种独特性,这构成了莎士比亚接受史上一个重要而未被探索的章节,也是威廉·r·麦凯维“英国文学崇拜”概念的有力例证。也就是说,宗教是如何作为文学解释的有力工具发挥作用的因为在世纪之交,文学服务于宗教信仰的目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Charles William Stubbs and Shakespeare: The Incarnation and the English Cult of Literature at the Turn of the Twentieth Century
ABSTRACT:On April 23, 1899, Charles William Stubbs, Dean of Ely, delivered the Shakespeare Sermon in Holy Trinity Church, Stratford-upon-Avon. The Shakespeare sermon was later expanded as one of Stubbs's Hulsean lectures (1904-1905) in Cambridge, published in the volume The Christ of English Poetry in 1906. This article shows how Stubbs's profound analysis of Shakespeare as the main English Renaissance literary representation of the personality of Christ is a unique religious and literary reflection on Frederick Denison Maurice's social theology of the incarnation at the turn of the twentieth century. This distinctiveness is reinforced, as this article explains, by the dialogue that Stubbs establishes with the ideas of Auguste Comte, Walter Bagehot, Giuseppe Mazzini, and Edward Dowden, which constitutes a significant and unexplored chapter of the history of Shakespeare's reception and a compelling illustration of William R. McKelvy's concept of the "English cult of literature," that is, of how religion functioned as a powerful instrument of literary interpretation as literature served the purposes of religious creed at the turn of the century.
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CiteScore
0.20
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