{"title":"黑暗时代嘻哈音乐的希望地平线","authors":"M. M. Hall","doi":"10.5429/2079-3871(2021)v11i1.11en","DOIUrl":null,"url":null,"abstract":"Prompted by the shocking death of George Floyd (who once freestyled with Houston’s legendary Screwed Up Click), this short reflection explores how hip hop’s revolutionary soundscapes and consciousness might serve as a utopian beacon in our dark times. It argues that this artistic movement not only creates new musical and political spaces for cultural creativity, critique, and resistance, but also continues to serve—through its Black prophetic fire—as a transformative horizon of hope that promotes both unrelenting compassion and resistance.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hip Hop’s Musical Horizon of Hope in Dark Times\",\"authors\":\"M. M. Hall\",\"doi\":\"10.5429/2079-3871(2021)v11i1.11en\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Prompted by the shocking death of George Floyd (who once freestyled with Houston’s legendary Screwed Up Click), this short reflection explores how hip hop’s revolutionary soundscapes and consciousness might serve as a utopian beacon in our dark times. It argues that this artistic movement not only creates new musical and political spaces for cultural creativity, critique, and resistance, but also continues to serve—through its Black prophetic fire—as a transformative horizon of hope that promotes both unrelenting compassion and resistance.\",\"PeriodicalId\":36498,\"journal\":{\"name\":\"IASPM Journal\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IASPM Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5429/2079-3871(2021)v11i1.11en\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IASPM Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5429/2079-3871(2021)v11i1.11en","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Prompted by the shocking death of George Floyd (who once freestyled with Houston’s legendary Screwed Up Click), this short reflection explores how hip hop’s revolutionary soundscapes and consciousness might serve as a utopian beacon in our dark times. It argues that this artistic movement not only creates new musical and political spaces for cultural creativity, critique, and resistance, but also continues to serve—through its Black prophetic fire—as a transformative horizon of hope that promotes both unrelenting compassion and resistance.