拔河:社交媒体,取消文化,以及女孩和百强的多样性

Pub Date : 2021-01-01 DOI:10.17646/KOME.75672.59
Jonina Anderson-Lopez, R. Lambert, Allison Budaj
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引用次数: 2

摘要

讨厌最近一季的电视节目?创建一个病毒式请愿书!更好的办法是,找一条剧组成员的旧推特,公开羞辱他们。这些都是电视观众参与和期望的例子。观众对几种类型的小说有反应,但本文主要关注电视节目和观众接受的影响。分析观众对某些电视节目的评价,可以揭示创作者后续创作决策的动机。在《罗珊娜》(Roseanne)这样的节目中,观众的接受程度影响了有关创意控制的决定。观众的需求有助于影响市场,并在投机媒体中开启了多元化的举措。本文的理论基础是通过接受理论和对Twitter帖子的初步研究形成的。为了进一步探讨观众对艺术所有权的影响,我们将在观众和评论界的接受、取消文化和跨媒体的多样性倡议的背景下研究两部电视节目《女孩》和《100》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Tug of War: Social Media, Cancel Culture, and Diversity for Girls and The 100
Hate the most recent season of a television show? Create a viral petition! Better yet, find an old tweet of a cast member to publicly shame them. These are examples of audience participation and expectations when it comes to television. Audiences react to several types of fiction, but this article mostly focuses on the impacts of television shows and audience reception. Analyzing audience and critical reception of certain TV shows may reveal motivations for subsequent creative decisions by the creators. On shows like Roseanne, audience reception has influenced decisions concerning creative control. Audience demands help sway the market and have opened up diversity initiatives in speculative media. The theoretical base for this article is formed from reception theoryand primary research of Twitter posts. To further explore the phenomenon of audience sway over artistic ownership, two television shows, Girlsand The 100, will be examined in context with audience and critical reception, cancelculture, and diversity initiatives across media.
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