弗拉基米尔·纳博科夫的苍白之火:失落的“所有超文本演示之父”?

S. Rowberry
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引用次数: 1

摘要

60年代中期,Ted Nelson在布朗大学研究早期的超文本系统。1969年,IBM想在一次会议上展示这个系统,纳尔逊获得许可,使用弗拉基米尔·纳博科夫(Vladimir Nabokov)的超文本小说《苍白的火》(Pale Fire, 1962)作为超文本潜力的技术演示。不幸的是,这个想法被否决了,取而代之的是一个看起来更有技术感的演示,因此从未公开演示过。本文重新考虑了Pale Fire在超文本历史上的地位,并假设如果在早期的超文本演示中使用它,它将成为“所有超文本演示之父”,以补充Douglas Engelbart在1968年的“所有演示之母”。为了证明《苍白之火》超文本性的重要性和尼尔森利用它的野心,本文将探讨其超文本结构及其对小说的影响,并将其作为超文本的成功与电子系统进行比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vladimir Nabokov's pale fire: the lost 'father of all hypertext demos'?
In the mid-sixties, Ted Nelson worked at Brown University on an early hypertext system. In 1969, IBM wanted to show the system at a conference, and Nelson gained permission to use Vladimir Nabokov's highly unconventional and hypertextual novel, Pale Fire (1962) as a technical demonstration of hypertext's potential. Unfortunately, the idea was dismissed in favor of a more technical-looking presentation, and thus was never demonstrated publicly. This paper re-considers Pale Fire's position in hypertext history, and posits that if it was used in this early hypertext demonstration, it would have been the 'father of all hypertext demonstrations' to complement Douglas Engelbart's 'Mother of All Demos' in 1968. In order to demonstrate the significance of Pale Fire's hypertextuality and Nelson's ambitions to use it, this paper will explore its hypertextual structure, the implication thereof for the novel and evaluate its success as a hypertext compared to electronic systems.
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