奴役与自由的可能性:从泰戈尔的《红夹竹桃》对人类处境的再思考

IF 0.3 3区 文学 0 LITERATURE
Biswarup Das
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引用次数: 0

摘要

本研究以泰戈尔1925年的戏剧《红夹竹桃》中所呈现的人类状况为目的。该剧以虚构的雅克沙镇为背景,这里的每个人都是体制的奴隶。文章透过详细分析Yaksha镇的情况,首先揭示极权社会如何剥夺每个人物的自由与快乐,然后检视所有人物如何对他们在这个制度下的限制负责。泰戈尔想通过城镇来表现现实世界的情况,所以剧中人物被奴役的故事也是一般人性的故事。对泰戈尔来说,现代世界的弊病根源于它对世俗特权的关注,使人与大自然的热情洋溢分离开来。因此,本文也力图从剧作家的角度阐述,将人类从所有社会和个人的束缚中解放出来的,不是物质体系的接近,而是大自然的接近。整个论述是根据存在主义理论和马克思主义理论进行的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Enslavement and the Possibility of Freedom: A Rethinking about the Human Condition through Tagore’s Red Oleanders
ABSTRACT The present study takes as its objective the enunciation of the human condition as presented in Rabindranath Tagore’s 1925 play Red Oleanders. The play is set in the fictional backdrop of Yaksha Town, a place where every person is a slave of the system. Through a detailed analysis of the situation of Yaksha Town, the article first brings to light how a totalitarian society deprives every character of liberty and joy and then examines how all the characters are personally accountable for their confinement in the system. As Tagore intends to present the situation of the real world through that of the town, the story of the enslavement of the characters in the play is also that of humanity in general. For Tagore, the malady of the modern world is rooted in its preoccupation with worldly privileges that detaches a person from the ebullience of nature. So, this article also strives to elaborate from the playwright that it is not the propinquity of a materialistic system but that of nature that can liberate humanity from all social and personal confinement. The whole discussion is put forth in light of the theories of Existentialism and Marxism.
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来源期刊
Comparative Literature East  West
Comparative Literature East West Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
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14
审稿时长
20 weeks
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