{"title":"使过去成为现实:Bisbee ' 17和调解的困扰","authors":"Roger C. Aden","doi":"10.1080/15295036.2021.1949482","DOIUrl":null,"url":null,"abstract":"ABSTRACT In 1917, over 1,000 miners were deported from the mining town of Bisbee, AZ by a mob of deputized vigilantes. One-hundred years later, Bisbee ‘17 revisits the community as its residents engage the town’s shameful past through a re-creation of the mass deportation. The documentary film demonstrates that the shameful past is never silent, only quieted. Bisbee ‘17’s cinematography, sound design, score, and set pieces suggest that contemporary Bisbee is haunted by figures from 1917 who lurk within the open spaces of Bisbee. Those figures’ voices and presence, the film argues, can be felt throughout the community, and they move ever closer to the present as the town’s contemporary residents approach the re-enactment of the deportation. Ultimately, Bisbee ‘17 teaches viewers lessons about how to listen for the past, while encouraging reluctant individuals to do the same.","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"57 1","pages":"375 - 390"},"PeriodicalIF":1.5000,"publicationDate":"2021-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Making the past present: Bisbee ‘17 and mediated haunting\",\"authors\":\"Roger C. Aden\",\"doi\":\"10.1080/15295036.2021.1949482\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In 1917, over 1,000 miners were deported from the mining town of Bisbee, AZ by a mob of deputized vigilantes. One-hundred years later, Bisbee ‘17 revisits the community as its residents engage the town’s shameful past through a re-creation of the mass deportation. The documentary film demonstrates that the shameful past is never silent, only quieted. Bisbee ‘17’s cinematography, sound design, score, and set pieces suggest that contemporary Bisbee is haunted by figures from 1917 who lurk within the open spaces of Bisbee. Those figures’ voices and presence, the film argues, can be felt throughout the community, and they move ever closer to the present as the town’s contemporary residents approach the re-enactment of the deportation. Ultimately, Bisbee ‘17 teaches viewers lessons about how to listen for the past, while encouraging reluctant individuals to do the same.\",\"PeriodicalId\":47123,\"journal\":{\"name\":\"Critical Studies in Media Communication\",\"volume\":\"57 1\",\"pages\":\"375 - 390\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2021-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Media Communication\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/15295036.2021.1949482\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Media Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/15295036.2021.1949482","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
Making the past present: Bisbee ‘17 and mediated haunting
ABSTRACT In 1917, over 1,000 miners were deported from the mining town of Bisbee, AZ by a mob of deputized vigilantes. One-hundred years later, Bisbee ‘17 revisits the community as its residents engage the town’s shameful past through a re-creation of the mass deportation. The documentary film demonstrates that the shameful past is never silent, only quieted. Bisbee ‘17’s cinematography, sound design, score, and set pieces suggest that contemporary Bisbee is haunted by figures from 1917 who lurk within the open spaces of Bisbee. Those figures’ voices and presence, the film argues, can be felt throughout the community, and they move ever closer to the present as the town’s contemporary residents approach the re-enactment of the deportation. Ultimately, Bisbee ‘17 teaches viewers lessons about how to listen for the past, while encouraging reluctant individuals to do the same.
期刊介绍:
Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.