使过去成为现实:Bisbee ' 17和调解的困扰

IF 1.5 2区 文学 Q3 COMMUNICATION
Roger C. Aden
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引用次数: 0

摘要

1917年,超过1000名矿工被一群代理义务警员从采矿小镇比斯比驱逐出境。100年后,Bisbee ' 17重新访问了这个社区,因为它的居民通过重新创造大规模驱逐来参与该镇可耻的过去。这部纪录片表明,可耻的过去从来没有沉默,只有安静。《比斯比17》的摄影、音效设计、配乐和布景都表明,当代比斯比被潜伏在比斯比开放空间中的1917年的人物所困扰。影片认为,整个社区都能感受到这些人物的声音和存在,随着该镇当代居民对驱逐出境的再现,他们越来越接近现实。最后,比斯比17教观众如何倾听过去,同时鼓励不情愿的人也这样做。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making the past present: Bisbee ‘17 and mediated haunting
ABSTRACT In 1917, over 1,000 miners were deported from the mining town of Bisbee, AZ by a mob of deputized vigilantes. One-hundred years later, Bisbee ‘17 revisits the community as its residents engage the town’s shameful past through a re-creation of the mass deportation. The documentary film demonstrates that the shameful past is never silent, only quieted. Bisbee ‘17’s cinematography, sound design, score, and set pieces suggest that contemporary Bisbee is haunted by figures from 1917 who lurk within the open spaces of Bisbee. Those figures’ voices and presence, the film argues, can be felt throughout the community, and they move ever closer to the present as the town’s contemporary residents approach the re-enactment of the deportation. Ultimately, Bisbee ‘17 teaches viewers lessons about how to listen for the past, while encouraging reluctant individuals to do the same.
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来源期刊
CiteScore
2.10
自引率
0.00%
发文量
34
期刊介绍: Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.
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