Allegory as Language Game: Spenser with Ludwig Wittgenstein

Wittgenstein’s early philosophical masterpiece, the Tractatus Logico-Philosophicus, builds to a logical picture of the whole world and asks what words can give us pictures of. Broadly speaking, this “picture-theory of language” exposes the underlying assumptions of allegory. Rejecting logic in his late work, especially the Philosophical Investigations, Wittgenstein asks what, in the vast array of human circumstances, words are used for. Meaning is no longer a spectral picture inside the head; it is out in the world, woven into all our interactions. Similarly, when we interpret The Faerie Queene, we are not constructing models of what each of us alone (in competition with everyone else) pictures as the true meaning. We are interacting with the text and with one another in the delicate web that is the poem’s field. All, or almost all, such interpretations are illuminating, but none of them is final, comprehensive, or in any simple sense true.