散文家崔斯特拉姆·珊迪

IF 0.2 4区 文学 0 LITERATURE
S. Black
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引用次数: 0

摘要

劳伦斯·斯特恩的《崔斯特拉姆·珊迪的生平与观点》是一个长期存在的关键问题。事实上,这部作品将复杂的通用混合在一起,尽管它引用了斯特恩学会向其借书的伟大借款者:拉伯雷(Rabelais)、蒙田(Montaigne)、塞万提斯(Cervantes)和伯顿(Burton)。本章着重于斯特恩将蒙田的《随笔》作为一种通用程序的模型,这种程序在斯特恩的写作中体现了其组织(或无序)、文本的自觉收集、自由评论以及与引用上下文和读者的互动。《崔斯特拉姆·珊迪》是一部具有分水岭意义的作品,在这本书中,作者重新审视、改编、使用和滥用了所有的散文传统,形成了一部对话式的、书卷气的、自我意识的、离经叛道的作品,既是小说,也是散文。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tristram Shandy, Essayist
The genre of Laurence Sterne’s Life and Opinions of Tristram Shandy is a long-standing critical crux. Indeed, the work wears its complex generic mixtures on its sleeve even as it references the great borrowers from whom Sterne learned to borrow: Rabelais, Montaigne, Cervantes, Burton. This chapter focuses on Sterne’s use of Montaigne’s Essays as a model for a generic procedure that informs Sterne’s writing in its organization (or disorganization), its self-conscious gathering of texts, its free commentary, and its interactivity with both its contexts of citation and its readers. Tristram Shandy is a watershed text in which the full range of the essay tradition is revisited, adapted, used, and abused to form a conversational, bookish, self-conscious, and digressive work that is as much essay as novel.
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CiteScore
0.10
自引率
0.00%
发文量
11
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