{"title":"摇摇欲坠的巴库劳人","authors":"Francesco Sticchi","doi":"10.1177/02632764211070780","DOIUrl":null,"url":null,"abstract":"This article aims to investigate the political and conceptual power of the successful and highly praised film Bacurau (Juliano Dornelles and Kleber Mendonça Filho, 2019) by inserting it within general trends of contemporary visual culture surrounding the issue of cinematic precarity. The discussion will find its analytical coordinates around the notions of chronotope and dialogism. These tools are notoriously attributed to Mikhail Bakhtin and are intended to investigate regular patterns in aesthetic experiences and to evaluate the differential and subversive potential to be attributed to every case study. The grounding assumption of the following analysis is to understand cinematic experience as an ecological encounter and an affective and conceptual interaction in which viewers find the opportunity to explore and experience complex ethical systems: a productive interrelation that allows us also to connect the discussion with reflections upon general dynamics of neoliberal governance and with trajectories of resistance and revolt against it.","PeriodicalId":48276,"journal":{"name":"Theory Culture & Society","volume":"14 1","pages":"201 - 215"},"PeriodicalIF":2.7000,"publicationDate":"2022-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Precarious Multitude of Bacurau\",\"authors\":\"Francesco Sticchi\",\"doi\":\"10.1177/02632764211070780\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims to investigate the political and conceptual power of the successful and highly praised film Bacurau (Juliano Dornelles and Kleber Mendonça Filho, 2019) by inserting it within general trends of contemporary visual culture surrounding the issue of cinematic precarity. The discussion will find its analytical coordinates around the notions of chronotope and dialogism. These tools are notoriously attributed to Mikhail Bakhtin and are intended to investigate regular patterns in aesthetic experiences and to evaluate the differential and subversive potential to be attributed to every case study. The grounding assumption of the following analysis is to understand cinematic experience as an ecological encounter and an affective and conceptual interaction in which viewers find the opportunity to explore and experience complex ethical systems: a productive interrelation that allows us also to connect the discussion with reflections upon general dynamics of neoliberal governance and with trajectories of resistance and revolt against it.\",\"PeriodicalId\":48276,\"journal\":{\"name\":\"Theory Culture & Society\",\"volume\":\"14 1\",\"pages\":\"201 - 215\"},\"PeriodicalIF\":2.7000,\"publicationDate\":\"2022-02-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Theory Culture & Society\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/02632764211070780\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theory Culture & Society","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/02632764211070780","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在通过将其插入围绕电影不稳定性问题的当代视觉文化的总体趋势中,研究成功且备受赞誉的电影《Bacurau》(Juliano Dornelles和Kleber mendon a Filho, 2019)的政治和概念力量。讨论将围绕着时标和对话性的概念找到其分析坐标。众所周知,这些工具归功于米哈伊尔·巴赫金(Mikhail Bakhtin),旨在调查美学体验中的规律模式,并评估归因于每个案例研究的差异和颠覆性潜力。以下分析的基本假设是将电影体验理解为一种生态遭遇,一种情感和概念上的互动,在这种互动中,观众找到了探索和体验复杂伦理系统的机会:一种富有成效的相互关系,使我们能够将讨论与对新自由主义治理的一般动态的反思以及对它的抵抗和反抗的轨迹联系起来。
This article aims to investigate the political and conceptual power of the successful and highly praised film Bacurau (Juliano Dornelles and Kleber Mendonça Filho, 2019) by inserting it within general trends of contemporary visual culture surrounding the issue of cinematic precarity. The discussion will find its analytical coordinates around the notions of chronotope and dialogism. These tools are notoriously attributed to Mikhail Bakhtin and are intended to investigate regular patterns in aesthetic experiences and to evaluate the differential and subversive potential to be attributed to every case study. The grounding assumption of the following analysis is to understand cinematic experience as an ecological encounter and an affective and conceptual interaction in which viewers find the opportunity to explore and experience complex ethical systems: a productive interrelation that allows us also to connect the discussion with reflections upon general dynamics of neoliberal governance and with trajectories of resistance and revolt against it.
期刊介绍:
Theory, Culture & Society is a highly ranked, high impact factor, rigorously peer reviewed journal that publishes original research and review articles in the social and cultural sciences. Launched in 1982 to cater for the resurgence of interest in culture within contemporary social science, Theory, Culture & Society provides a forum for articles which theorize the relationship between culture and society. Theory, Culture & Society is at the cutting edge of recent developments in social and cultural theory. The journal has helped to break down some of the disciplinary barriers between the humanities and the social sciences by opening up a wide range of new questions in cultural theory.