从版权立法和国际协议看全息技术与版权:回顾过去与现在的危机

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引用次数: 0

摘要

本文分析了在现场表演中越来越多地使用全息图的多样性,这给版权和宣传权的保护带来了法律问题。未经版权所有者许可使用内容的全息表演被视为侵犯版权。侵权是在未经名人本人或其权利许可的情况下,使用名人的形象、声音和肖像,无论是已故的还是在世的。此外,名人可以通过版权保护来规范他们的照片和身份的商业用途,禁止使用他们的名字或存在。因此,全息表演制作人在使用已有的名人材料和图像时需要谨慎行事。另一方面,制作方也进行了投资和尝试,以创造全息表演。他们付出的时间和金钱不仅应该从成功的收入中得到经济补偿,还应该从知识产权系统的安全性中得到补偿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hologram Technology and Copyright Between Evoking the Past and The Present Crisis in Lights of Copyrights Legislations and International Agreements
This paper analyses the multiplicity of the increasing use of holograms in live shows, which has created legal problems with regard to the protection of copyright and publicity rights. Holographic performances that use content without receiving the copyright holder's permission are considered copyright infringement. Infringement is the use of the image, voice, and likeness of celebrities, whether dead or alive, without the permission of the celebrities themselves or their rights. In addition, celebrities can regulate the commercial use of their photos and identities through copyrights protection, which prohibits their name or presence from being used. Therefore, holographic performance producers need to proceed with caution in using pre-existing celebrity material and images. On the other hand, investments and attempts have been made by producers to create holographic performances. Their time and money commitment should be compensated not only financially from income from success, but also from the security of intellectual property systems.
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