{"title":"编辑漫画书五年了","authors":"Thierry Groensteen","doi":"10.3167/eca.2020.130203","DOIUrl":null,"url":null,"abstract":"Thierry Groensteen looks back over the years during which he edited Les Cahiers de la Bande Dessinée, transformed from the earlier Schtroumpf into a publication that promoted analysis and brought challenging and ambitious comics to the attention of readers, in a context where an earlier generation of comics studies pioneers had deserted the medium, and the experimentation of 1970s comics had given way to the dominance of more commercially viable series. Groensteen details the complex labour of putting a journal together, the recruiting of contributors, the coexistence of disparate theoretical approaches, and the hostility from certain quarters of the comics milieu that considered the journal pretentiously intellectual. The legacy of Les Cahiers endures in the form of major works for which it laid the foundations.","PeriodicalId":40846,"journal":{"name":"European Comic Art","volume":"8 1","pages":"37-63"},"PeriodicalIF":0.1000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Five Years of Editing Les Cahiers de la Bande Dessinée\",\"authors\":\"Thierry Groensteen\",\"doi\":\"10.3167/eca.2020.130203\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Thierry Groensteen looks back over the years during which he edited Les Cahiers de la Bande Dessinée, transformed from the earlier Schtroumpf into a publication that promoted analysis and brought challenging and ambitious comics to the attention of readers, in a context where an earlier generation of comics studies pioneers had deserted the medium, and the experimentation of 1970s comics had given way to the dominance of more commercially viable series. Groensteen details the complex labour of putting a journal together, the recruiting of contributors, the coexistence of disparate theoretical approaches, and the hostility from certain quarters of the comics milieu that considered the journal pretentiously intellectual. The legacy of Les Cahiers endures in the form of major works for which it laid the foundations.\",\"PeriodicalId\":40846,\"journal\":{\"name\":\"European Comic Art\",\"volume\":\"8 1\",\"pages\":\"37-63\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Comic Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/eca.2020.130203\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Comic Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/eca.2020.130203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
蒂埃里·格伦斯汀回顾了他编辑《Les Cahiers de la Bande dessinacei》的岁月,从早期的Schtroumpf转变为一本促进分析的出版物,并将具有挑战性和雄心勃勃的漫画带给读者,而在此背景下,上一代漫画研究先驱已经抛弃了这种媒介,20世纪70年代的漫画实验已经让位于更具商业可行性的系列的主导地位。格伦斯汀详细描述了创办一本杂志的复杂工作,招募撰稿人,不同理论方法的共存,以及漫画环境中某些人认为这本杂志自命为知识分子的敌意。《职业手册》的遗产以其奠定基础的主要作品的形式流传下来。
Five Years of Editing Les Cahiers de la Bande Dessinée
Thierry Groensteen looks back over the years during which he edited Les Cahiers de la Bande Dessinée, transformed from the earlier Schtroumpf into a publication that promoted analysis and brought challenging and ambitious comics to the attention of readers, in a context where an earlier generation of comics studies pioneers had deserted the medium, and the experimentation of 1970s comics had given way to the dominance of more commercially viable series. Groensteen details the complex labour of putting a journal together, the recruiting of contributors, the coexistence of disparate theoretical approaches, and the hostility from certain quarters of the comics milieu that considered the journal pretentiously intellectual. The legacy of Les Cahiers endures in the form of major works for which it laid the foundations.