俄国文化中的莱蒙托夫诗歌《帆》

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
I. Yukhnova, S. Pyatkin
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引用次数: 0

摘要

莱蒙托夫的诗《帆》引用了俄罗斯文化的象征文本,具有很高的辨识度。莱蒙托夫所创造的形象总是被视为一个广阔的象征,他的诠释是由历史时代的“精神”所决定的。莱蒙托夫《帆》的这一特点决定了本文研究的相关性。作品的科学新颖性在于对诗人诗歌在民族传统中的社会文化接受进行系统化、分析和概念化。本文介绍了这首诗的创作历史,提请注意其传记背景,并提出了诗人拒绝将“帆”纳入其唯一的终身作品集的版本。本研究还考虑了对《帆》的最初批评,特别是v.g.别林斯基的立场,他认为莱蒙托夫的诗是诗人典型的年轻学生作品。尽管《风帆》进入了高中课程,但它却在莱蒙托夫的诗歌中获得了抒情杰作的地位,并成为俄罗斯文化的经典文本。作者认为,“帆”在民族文化意识中地位的巩固,是由于其中心意象-符号的复杂内部结构,其中意象图式与沉思图式揭示了人格精神世界的二律背反。研究表明,虽然在研究实践中,“the sail”在近年来的科学作品中最常被解释为革命的表达,包括十二月党人的情绪,但诗人的诗被包括在基督教传统的背景下。本文借鉴福法诺夫、叶塞宁和维索茨基的作品,总结和分析了民族诗歌中莱蒙托夫形象符号艺术表现的创作经验。作者认为,在各种不同的解读和诠释下,莱蒙托夫的《帆》在俄罗斯文化意识中已经成为一种浮躁和不可阻挡的运动的象征,是一个有自我价值的人对自己命运和周围世界发生巨大变化的渴望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lermontov`s Poem “The Sail” in the Russian Culture
Lermontov’s poem “The sail” refers to the emblematic texts of Russian culture and is highly recognizable. The image created by Lermontov was always perceived as a capacious symbol, and his interpretations were determined by the “spirit” of the historical era. This characteristic of Lermontov's “The sail” determine the relevance of the proposed research. The scientific novelty of the work pertains to systematization, analysis and conceptualization of the social and cultural receptions of the poet's poem in the national tradition. The paper presents the history of creation of the poem, draws attention to its biographical context and suggests versions of the poet’s refusal to include “The sail” in the only lifetime collection of his works. The study also considers the first critical receptions of the “The sail”, especially the position of V. G. Belinsky, who perceived Lermontov’s poem as a typical youthful, student composition of the poet. Despite the fact “The sail” entered the curriculum of high schools, chrestomathies and got the status of a lyrical masterpiece in Lermontov’s poetry and the canonical text of Russian culture. The authors believe that the consolidation of such status of “The sail” in a national cultural consciousness is due to the complex internal structure of the central image-symbol, in which the image plan and the meditative plan reveal the antinomy of the spiritual world of the personality. As the study shows while in the research practice “The sail” is most often interpreted as an expression of revolutionary, including Decembrist moods, in the scientific works of recent years, the poet’s poem is included in the context of the Christian tradition. The paper summarizes and analyzes creative experience of the artistic representation of the Lermontov image-symbol in national poetry drawing on the works of K. Fofanov, S. Yesenin and V. Vysotsky. The authors argue that, with all the differences in readings and interpretations, Lermontov’s “The sail” in the Russian cultural consciousness has become a symbol of impetuous and unstoppable movement, the desire of a self-worthy person for great changes in his own fate and the world around him. This semantic plan, which confirms the statement of the Chairman of the People's Republic of China, XI Jinping, characterizes the perception of Lermontov’s poem by foreign readers, and the sail, as a symbolic image of Russian culture, is also relevant for another national tradition.
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