{"title":"退休项目","authors":"Lawrence Cohen","doi":"10.1111/anhu.12458","DOIUrl":null,"url":null,"abstract":"<p>This piece honors the work of Katie Stewart through the form of the “hundred.” Invoking Stewart's figure of attunement in the context of park cruising, I write about the relation of stories to forms of life from which one may be estranged in time. Against anthropology's magic—in which story emerges as something like a perfectible form—a fragment is offered, some context for words exchanged in a park, opening perhaps to another mode of narration.</p>","PeriodicalId":53597,"journal":{"name":"Anthropology and Humanism","volume":"48 2","pages":"416"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/anhu.12458","citationCount":"0","resultStr":"{\"title\":\"Retirement project\",\"authors\":\"Lawrence Cohen\",\"doi\":\"10.1111/anhu.12458\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This piece honors the work of Katie Stewart through the form of the “hundred.” Invoking Stewart's figure of attunement in the context of park cruising, I write about the relation of stories to forms of life from which one may be estranged in time. Against anthropology's magic—in which story emerges as something like a perfectible form—a fragment is offered, some context for words exchanged in a park, opening perhaps to another mode of narration.</p>\",\"PeriodicalId\":53597,\"journal\":{\"name\":\"Anthropology and Humanism\",\"volume\":\"48 2\",\"pages\":\"416\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://anthrosource.onlinelibrary.wiley.com/doi/epdf/10.1111/anhu.12458\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Anthropology and Humanism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/anhu.12458\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anthropology and Humanism","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/anhu.12458","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
This piece honors the work of Katie Stewart through the form of the “hundred.” Invoking Stewart's figure of attunement in the context of park cruising, I write about the relation of stories to forms of life from which one may be estranged in time. Against anthropology's magic—in which story emerges as something like a perfectible form—a fragment is offered, some context for words exchanged in a park, opening perhaps to another mode of narration.