{"title":"法国科莱特(zouave的女儿)","authors":"Kathleen Antonioli","doi":"10.3167/fpcs.2020.380106","DOIUrl":null,"url":null,"abstract":"This article argues that French novelist Sidonie-Gabrielle Colette occupies a central position in the canon of French women’s writing, and that from this position her reception was deeply influential in the development of the myth of French singularity. After World War I, a style of femininity associated with Colette (natural, instinctive, antirational) became more largely synonymous with good French women’s writing, and writers who did not correspond to the “genre Colette” were excluded from narratives of the history of French women’s writing. Characteristics associated with Colette’s writing did not shift drastically before and after the war, but, in the wake of the Great War, these characteristics were nationalized and became French.","PeriodicalId":35271,"journal":{"name":"French Politics, Culture & Society","volume":"65 1","pages":"113-128"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Colette française (et fille de zouave)\",\"authors\":\"Kathleen Antonioli\",\"doi\":\"10.3167/fpcs.2020.380106\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article argues that French novelist Sidonie-Gabrielle Colette occupies a central position in the canon of French women’s writing, and that from this position her reception was deeply influential in the development of the myth of French singularity. After World War I, a style of femininity associated with Colette (natural, instinctive, antirational) became more largely synonymous with good French women’s writing, and writers who did not correspond to the “genre Colette” were excluded from narratives of the history of French women’s writing. Characteristics associated with Colette’s writing did not shift drastically before and after the war, but, in the wake of the Great War, these characteristics were nationalized and became French.\",\"PeriodicalId\":35271,\"journal\":{\"name\":\"French Politics, Culture & Society\",\"volume\":\"65 1\",\"pages\":\"113-128\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Politics, Culture & Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/fpcs.2020.380106\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Politics, Culture & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/fpcs.2020.380106","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
This article argues that French novelist Sidonie-Gabrielle Colette occupies a central position in the canon of French women’s writing, and that from this position her reception was deeply influential in the development of the myth of French singularity. After World War I, a style of femininity associated with Colette (natural, instinctive, antirational) became more largely synonymous with good French women’s writing, and writers who did not correspond to the “genre Colette” were excluded from narratives of the history of French women’s writing. Characteristics associated with Colette’s writing did not shift drastically before and after the war, but, in the wake of the Great War, these characteristics were nationalized and became French.
期刊介绍:
French Politics, Culture & Society explores modern and contemporary France from the perspectives of the social sciences, history, and cultural analysis. It also examines France''s relationship to the larger world, especially Europe, the United States, and the former French Empire. The editors also welcome pieces on recent debates and events, as well as articles that explore the connections between French society and cultural expression of all sorts (such as art, film, literature, and popular culture). Issues devoted to a single theme appear from time to time. With refereed research articles, timely essays, and reviews of books in many disciplines, French Politics, Culture & Society provides a forum for learned opinion and the latest scholarship on France.