{"title":"来自不同时区的新公理:探索本·奥克里小说《饥饿之路》、《震惊众神》和《魔法时代》中的另一个时间概念","authors":"Fetson Kalua","doi":"10.1080/10131752.2023.2206294","DOIUrl":null,"url":null,"abstract":"Abstract An examination of a select number of Ben Okri’s works of fiction gives the impression that he is truly sui generis as a writer of fiction. His embrace of magical realism as a genre allows him to evoke a vision of the world in which the notion of time, rather than being seen in a linear fashion, is subject to multiple disruptions. Okri locates historical time, or temporality, in a liminal zone where it combines with space to yield identities which are indeterminate. In this article, I examine three of Ben Okri’s novels, namely The Famished Road (London: Johathan Cape, 1991), Astonishing the Gods (London: Head of Zeus, 1995), and The Age of Magic (London: Head of Zeus, 2014), in order to demonstrate the extent to which he destabilises all paradigms of temporality which present the notion of time as a self-evident and knowable presence or entity. I draw on narrative theory to demonstrate the extent to which Okri’s three works openly destabilise the paradigm of linear time, which is often seen as the definitive and ultimate approach to imagining and comprehending the notion of time, especially as it relates to works of fiction. Okri’s disruption of the Western, monadic notion of time is instructive in that it helps to move his readers into realms of alternative temporalities—in this case mystical time— where notions of spatialising historical time are interrogated. For Okri, time is not an objective phenomenon and, hence, he shows the extent to which there is always another time.","PeriodicalId":41471,"journal":{"name":"English Academy Review-Southern African Journal of English Studies","volume":"14 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Of New Axioms from Alternate Time Zones: Exploring Notions of Another Time in Ben Okri’s Novels The Famished Road, Astonishing the Gods, and The Age of Magic\",\"authors\":\"Fetson Kalua\",\"doi\":\"10.1080/10131752.2023.2206294\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract An examination of a select number of Ben Okri’s works of fiction gives the impression that he is truly sui generis as a writer of fiction. His embrace of magical realism as a genre allows him to evoke a vision of the world in which the notion of time, rather than being seen in a linear fashion, is subject to multiple disruptions. Okri locates historical time, or temporality, in a liminal zone where it combines with space to yield identities which are indeterminate. In this article, I examine three of Ben Okri’s novels, namely The Famished Road (London: Johathan Cape, 1991), Astonishing the Gods (London: Head of Zeus, 1995), and The Age of Magic (London: Head of Zeus, 2014), in order to demonstrate the extent to which he destabilises all paradigms of temporality which present the notion of time as a self-evident and knowable presence or entity. I draw on narrative theory to demonstrate the extent to which Okri’s three works openly destabilise the paradigm of linear time, which is often seen as the definitive and ultimate approach to imagining and comprehending the notion of time, especially as it relates to works of fiction. Okri’s disruption of the Western, monadic notion of time is instructive in that it helps to move his readers into realms of alternative temporalities—in this case mystical time— where notions of spatialising historical time are interrogated. For Okri, time is not an objective phenomenon and, hence, he shows the extent to which there is always another time.\",\"PeriodicalId\":41471,\"journal\":{\"name\":\"English Academy Review-Southern African Journal of English Studies\",\"volume\":\"14 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-04-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"English Academy Review-Southern African Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10131752.2023.2206294\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Academy Review-Southern African Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10131752.2023.2206294","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
Of New Axioms from Alternate Time Zones: Exploring Notions of Another Time in Ben Okri’s Novels The Famished Road, Astonishing the Gods, and The Age of Magic
Abstract An examination of a select number of Ben Okri’s works of fiction gives the impression that he is truly sui generis as a writer of fiction. His embrace of magical realism as a genre allows him to evoke a vision of the world in which the notion of time, rather than being seen in a linear fashion, is subject to multiple disruptions. Okri locates historical time, or temporality, in a liminal zone where it combines with space to yield identities which are indeterminate. In this article, I examine three of Ben Okri’s novels, namely The Famished Road (London: Johathan Cape, 1991), Astonishing the Gods (London: Head of Zeus, 1995), and The Age of Magic (London: Head of Zeus, 2014), in order to demonstrate the extent to which he destabilises all paradigms of temporality which present the notion of time as a self-evident and knowable presence or entity. I draw on narrative theory to demonstrate the extent to which Okri’s three works openly destabilise the paradigm of linear time, which is often seen as the definitive and ultimate approach to imagining and comprehending the notion of time, especially as it relates to works of fiction. Okri’s disruption of the Western, monadic notion of time is instructive in that it helps to move his readers into realms of alternative temporalities—in this case mystical time— where notions of spatialising historical time are interrogated. For Okri, time is not an objective phenomenon and, hence, he shows the extent to which there is always another time.
期刊介绍:
The English Academy Review: A Journal of English Studies (EAR) is the journal of the English Academy of Southern Africa. In line with the Academy’s vision of promoting effective English as a vital resource and of respecting Africa’s diverse linguistic ecology, it welcomes submissions on language as well as educational, philosophical and literary topics from Southern Africa and across the globe. In addition to refereed academic articles, it publishes creative writing and book reviews of significant new publications as well as lectures and proceedings. EAR is an accredited journal that is published biannually by Unisa Press (South Africa) and Taylor & Francis. Its editorial policy is governed by the Council of the English Academy of Southern Africa who also appoint the Editor-in-Chief for a three-year term of office. Guest editors are appointed from time to time on an ad hoc basis.