胡安·拉丁裔的《奥地利卡门》中的悲剧和矛盾心理。在勒班托,一首献给胜利者的诗还是一首被征服者的诗?

Q1 Arts and Humanities
Noelia Bernabeu Torreblanca
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引用次数: 0

摘要

本文分析了胡安·拉丁的《奥地利卡门》(1573)中一些以其强烈的悲情和矛盾的人物处理手法而突出的段落。在这里,诗人展示了战争的恐怖,对基督教舰队提出了质疑,并将土耳其人的美德和苦难摆在了首位。然而,他并没有停止庆祝胜利,而是站在西班牙君主制和基督教一边。本研究旨在证明这首诗的模糊性在于它模仿了维吉尔的《埃涅伊德》,部分地模仿了卢坎的《法撒利亚》,而且,它与胡安·拉丁裔诗歌作品的宣传或赞美语气并不矛盾。这一假设得到了文学实例以及历史和传记事实的支持,这些事实证明了诗人对帝国的依附以及他完全融入西班牙社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tragedia y ambivalencia en el Austrias Carmen de Juan Latino. ¿Un poema a los vencedores o a los vencidos en Lepanto?
This paper analyses some passages of Juan Latino’s Austrias Carmen (1573) that stand out for their great pathos and their ambivalence in the treatment of the characters. Here, the poet shows the horrors of war, calls the Christian fleet into question and brings to the forefront the virtues and sufferings of the Turks. However, he does not stop celebrating the victory and takes sides for the Spanish monarchy and Christianity. This study aims to demonstrate that the poem’s ambiguity lies in its imitation of Virgil’s Aeneid and, in part, of Lucan’s Pharsalia, and, furthermore, that it does not contradict the propagandistic or laudatory tone of Juan Latino’s poetic production. This hypothesis is supported by literary examples, as well as by historical and biographical facts which prove the poet’s adhesion to the Empire and his complete integration into Spanish society.
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来源期刊
Humanistica Lovaniensia
Humanistica Lovaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
发文量
6
审稿时长
20 weeks
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