{"title":"电视节目模式本土化的内在逻辑——对Netflix早期亚太扩张的批判性分析","authors":"Zhengyu Yang","doi":"10.23977/mediacr.2023.040403","DOIUrl":null,"url":null,"abstract":": The television industry has been grappling with the opposing forces of globalization and localization when it comes to television programs. This paper will take a closer look at the issue and examine it through the lenses of time and space. To illustrate these concepts, the analysis will focus on original programs and TV series produced by Netflix in Japan and South Korea at early stage, and provide practical solutions to the challenges.","PeriodicalId":30110,"journal":{"name":"MedieKultur Journal of Media and Communication Research","volume":"33 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Inner Logic of the Localization of TV Program Models: A Critical Analysis of Netflix's Early Expansion in Asia Pacific\",\"authors\":\"Zhengyu Yang\",\"doi\":\"10.23977/mediacr.2023.040403\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": The television industry has been grappling with the opposing forces of globalization and localization when it comes to television programs. This paper will take a closer look at the issue and examine it through the lenses of time and space. To illustrate these concepts, the analysis will focus on original programs and TV series produced by Netflix in Japan and South Korea at early stage, and provide practical solutions to the challenges.\",\"PeriodicalId\":30110,\"journal\":{\"name\":\"MedieKultur Journal of Media and Communication Research\",\"volume\":\"33 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MedieKultur Journal of Media and Communication Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23977/mediacr.2023.040403\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MedieKultur Journal of Media and Communication Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23977/mediacr.2023.040403","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
Inner Logic of the Localization of TV Program Models: A Critical Analysis of Netflix's Early Expansion in Asia Pacific
: The television industry has been grappling with the opposing forces of globalization and localization when it comes to television programs. This paper will take a closer look at the issue and examine it through the lenses of time and space. To illustrate these concepts, the analysis will focus on original programs and TV series produced by Netflix in Japan and South Korea at early stage, and provide practical solutions to the challenges.