视觉传达的验光:视觉科学博物馆

IF 1.2 2区 文学 Q3 COMMUNICATION
Jane Griffith
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引用次数: 0

摘要

本文以视觉科学博物馆和其他验光博物馆为切入点,考虑视觉科学和科学的视觉。视觉科学博物馆是加拿大唯一的验光博物馆,隶属于一所验光学校。将视觉科学博物馆安置在一所验光学校内,或许可以追溯到19世纪的专业学校和博物馆的例子,本文建议博物馆可以在科学课程中提供一种动态的方法,让人们了解人文对视觉的理解。但是,更广泛地说,本文使用视觉科学博物馆的案例研究来考虑视觉交流研究与验光的更大可能性。虽然该博物馆将自己定位为视觉科学之一,但它也提供了一个复杂的视觉“文化”历史。作者将视觉科学的霸权问题与视觉传达研究的实践联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The optometry of visual communication: the Museum of Vision Science
This article uses the Museum of Vision Science and other museums of optometry as an entry point for considering the science of seeing and the seeing of science. The Museum of Vision Science, the only optometric museum in Canada, is part of an optometry school. The placement of the Museum of Vision Science within an optometry school perhaps harkens back to 19th-century examples of professional schools and museums, and this article suggests ways the museum could offer a dynamic approach to humanities understandings of vision within a science curriculum. But, more broadly, this article uses the case study of the Museum of Vision Science to consider larger possibilities for visual communication studies in conversation with optometry. Although the museum situates itself as one of vision science, it also offers a complicated ‘cultural’ history of vision. The author bridges questions of the hegemony of vision science with the practice of visual communication studies.
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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