归化美学与情感理论

R. Reisenzein
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引用次数: 1

摘要

默里·史密斯(Murray Smith)在《电影、艺术和第三文化》(Film, Art, and the Third Culture)中关于自然化美学的建议引起了电影理论家和心理学家的兴趣:对于前者来说,它有助于阐明电影是如何运作的;对于后者,它提供了心理学理论的具体应用案例。然而,我们有理由相信,史密斯从心理学中借鉴来作为案例研究基础的情感理论——基本情感理论的延伸版本——并没有他所建议的那样得到很好的支持。现有的经验证据似乎更符合这样的假设,即不同的情绪是一个单一的、综合的系统的输出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Naturalized Aesthetics and Emotion Theory
Murray Smith’s proposal in Film, Art, and the Third Culture for a naturalized aesthetics is of interest to both film theorists and psychologists: for the former, it helps to elucidate how films work; for the latter, it provides concrete application cases of psychological theories. However, there are reasons for believing that the theory of emotions that Smith has adopted from psychology to ground his case studies—an extended version of basic emotions theory—is less well supported than he suggests. The available empirical evidence seems more compatible with the assumption that the different emotions are outputs of a single, integrated system.
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