{"title":"亚洲尼尔森电影明星制和长片引进","authors":"Yvonne Zimmermann","doi":"10.1080/17460654.2022.2059833","DOIUrl":null,"url":null,"abstract":"and of the suffering but conscientious character of the Nordic writers and dramatists of the eighteen-eighties. (The cinema is always a few years behind the reigning intellectual fashions.) In Asta Nielsen, the Danish film gave us an artist of real merit whose sphinxlike appeal was to last for many years. (Bardèche and Brasillach 1938 [1935], 57)","PeriodicalId":42697,"journal":{"name":"Early Popular Visual Culture","volume":"14 1","pages":"107 - 120"},"PeriodicalIF":0.1000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Asta Nielsen, the film star system and the introduction of the long feature film\",\"authors\":\"Yvonne Zimmermann\",\"doi\":\"10.1080/17460654.2022.2059833\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"and of the suffering but conscientious character of the Nordic writers and dramatists of the eighteen-eighties. (The cinema is always a few years behind the reigning intellectual fashions.) In Asta Nielsen, the Danish film gave us an artist of real merit whose sphinxlike appeal was to last for many years. (Bardèche and Brasillach 1938 [1935], 57)\",\"PeriodicalId\":42697,\"journal\":{\"name\":\"Early Popular Visual Culture\",\"volume\":\"14 1\",\"pages\":\"107 - 120\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Popular Visual Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17460654.2022.2059833\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Popular Visual Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17460654.2022.2059833","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
以及十九世纪八十年代北欧作家和剧作家痛苦而认真的性格。(电影总是比主流的智力时尚落后几年。)在亚洲尼尔森，丹麦电影给了我们一个真正有价值的艺术家，他的狮身人面像的吸引力持续了很多年。(bardatische and Brasillach 1938 [1935]， 57)
Asta Nielsen, the film star system and the introduction of the long feature film
and of the suffering but conscientious character of the Nordic writers and dramatists of the eighteen-eighties. (The cinema is always a few years behind the reigning intellectual fashions.) In Asta Nielsen, the Danish film gave us an artist of real merit whose sphinxlike appeal was to last for many years. (Bardèche and Brasillach 1938 [1935], 57)
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