{"title":"流畅节奏的迭代构造方法","authors":"F. Hazama","doi":"10.1080/17459737.2021.1924303","DOIUrl":null,"url":null,"abstract":"The present article introduces the notion of smoothness of rhythm and proposes a unified method that transforms an arbitrary rhythm into a smooth one. The method employs a self-map Rav, discrete average map, on the space of rhythms of arbitrary length with a fixed number of onsets. It is shown that, for any rhythm in the space, the iterations become eventually periodic, and that the final cycle consists only of smooth rhythms. The discrete average map leads naturally to a finite directed graph, which visualizes the realm of smooth rhythms in the whole world of rhythms. This article has an Online Supplement, in which we give detailed proof of the main result.","PeriodicalId":50138,"journal":{"name":"Journal of Mathematics and Music","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2021-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Iterative method of construction for smooth rhythms\",\"authors\":\"F. Hazama\",\"doi\":\"10.1080/17459737.2021.1924303\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present article introduces the notion of smoothness of rhythm and proposes a unified method that transforms an arbitrary rhythm into a smooth one. The method employs a self-map Rav, discrete average map, on the space of rhythms of arbitrary length with a fixed number of onsets. It is shown that, for any rhythm in the space, the iterations become eventually periodic, and that the final cycle consists only of smooth rhythms. The discrete average map leads naturally to a finite directed graph, which visualizes the realm of smooth rhythms in the whole world of rhythms. This article has an Online Supplement, in which we give detailed proof of the main result.\",\"PeriodicalId\":50138,\"journal\":{\"name\":\"Journal of Mathematics and Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-06-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mathematics and Music\",\"FirstCategoryId\":\"100\",\"ListUrlMain\":\"https://doi.org/10.1080/17459737.2021.1924303\",\"RegionNum\":2,\"RegionCategory\":\"数学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mathematics and Music","FirstCategoryId":"100","ListUrlMain":"https://doi.org/10.1080/17459737.2021.1924303","RegionNum":2,"RegionCategory":"数学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Iterative method of construction for smooth rhythms
The present article introduces the notion of smoothness of rhythm and proposes a unified method that transforms an arbitrary rhythm into a smooth one. The method employs a self-map Rav, discrete average map, on the space of rhythms of arbitrary length with a fixed number of onsets. It is shown that, for any rhythm in the space, the iterations become eventually periodic, and that the final cycle consists only of smooth rhythms. The discrete average map leads naturally to a finite directed graph, which visualizes the realm of smooth rhythms in the whole world of rhythms. This article has an Online Supplement, in which we give detailed proof of the main result.
期刊介绍:
Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.