死后,死亡:渴望的机制在亨利·卡灵顿的«妖»

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Marko Teodorski
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引用次数: 0

摘要

本文探讨了亨利·卡灵顿在维多利亚时代晚期的一首塞壬诗《塞壬》中的渴望机制。尽管维多利亚时代的文学中充斥着关于塞壬的短篇故事、诗歌和小说,但这种基于并颠覆了荷马塞壬传统的文学流派,在文学讨论中仍然被忽视。随着1872年《小美人鱼》被翻译成英文,“渴望的海妖”的形象诞生了。这些故事不再是奥德修斯从塞壬的歌声中幸存下来的故事,而是塞壬自己的悲伤、悲伤和欲望。塞壬变得非常人性化——她们自己也变成了欲望的对象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
After Death, Death: The Mechanics of Longing in Henry Carrington's «The Siren»
This essay deals with the mechanics of longing in a late Victorian siren poem by Henry Carrington, The Siren. Although Victorian literature was teeming with short stories, poems and novels on sirens, this genre, that builds upon and reverses Homeric siren tradition, remains neglected in literary discussions. With the translation of The Little Mermaid into English in 1872, the image of a "longing siren" was born. No longer were these the stories of Odysseus who had survived the siren song: now they were about the sirens’ own sorrows, griefs and desires. Sirens became profoundly human – they became desiring subjects themselves.
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来源期刊
Amaltea-Revista de MitocrItica
Amaltea-Revista de MitocrItica HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
10
审稿时长
33 weeks
期刊介绍: Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.
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