{"title":"运输中的物品- amelia卡瓦尔康蒂和19世纪的收藏","authors":"R. Santos","doi":"10.4013/HIST.2020.243.02","DOIUrl":null,"url":null,"abstract":"The Marquesa de Cavalcanti Collection, hosted at the Volkenkunde Museum, in Leiden, Netherlands, is one of the oldest records of the existence of Brazilian objects in this museum. It is part of a broader collection created for the Brazilian Anthropological Exhibition, realised in 1882, and for the Universal Exhibition in Paris, realised in 1889. The main focus of this article is on the itineraries of this collection from its first exhibitions in Brazil and Paris to the Volkenkunde Collection in Leiden. Despite the challenge posed by the lack of documentation to understand the ”social life” of objects, we believe that the investigation of the itineraries of collections and the analysis of different social relations inscribed in these objects may provide a key to understanding the history of ethnographic and archaeological collections. This article analyses how collections connected colonial regions to metropolitan areas in the second half of the 19th century, in the particular case of Brazil, Paris, and the Netherlands. It further discusses the role of women in the production of archaeological and ethnographic collections and, consequently, their place in the production of anthropological and archaeological knowledge.","PeriodicalId":42877,"journal":{"name":"Historia Unisinos","volume":"52 1","pages":"351-364"},"PeriodicalIF":0.1000,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Objetos em trânsito - Amélia Cavalcanti e o colecionismo do século XIX\",\"authors\":\"R. Santos\",\"doi\":\"10.4013/HIST.2020.243.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Marquesa de Cavalcanti Collection, hosted at the Volkenkunde Museum, in Leiden, Netherlands, is one of the oldest records of the existence of Brazilian objects in this museum. It is part of a broader collection created for the Brazilian Anthropological Exhibition, realised in 1882, and for the Universal Exhibition in Paris, realised in 1889. The main focus of this article is on the itineraries of this collection from its first exhibitions in Brazil and Paris to the Volkenkunde Collection in Leiden. Despite the challenge posed by the lack of documentation to understand the ”social life” of objects, we believe that the investigation of the itineraries of collections and the analysis of different social relations inscribed in these objects may provide a key to understanding the history of ethnographic and archaeological collections. This article analyses how collections connected colonial regions to metropolitan areas in the second half of the 19th century, in the particular case of Brazil, Paris, and the Netherlands. It further discusses the role of women in the production of archaeological and ethnographic collections and, consequently, their place in the production of anthropological and archaeological knowledge.\",\"PeriodicalId\":42877,\"journal\":{\"name\":\"Historia Unisinos\",\"volume\":\"52 1\",\"pages\":\"351-364\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Historia Unisinos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4013/HIST.2020.243.02\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Historia Unisinos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4013/HIST.2020.243.02","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
摘要
Marquesa de Cavalcanti Collection收藏于荷兰莱顿的Volkenkunde博物馆,是该博物馆中最古老的巴西物品记录之一。它是为1882年的巴西人类学展览和1889年的巴黎世界博览会而创作的更广泛的收藏的一部分。本文的主要重点是这个系列的行程,从它在巴西和巴黎的第一次展览到莱顿的Volkenkunde收藏。尽管缺乏文献资料来理解这些文物的“社会生活”,但我们相信,对这些文物的收藏路线进行调查和对这些文物中所记载的不同社会关系进行分析,可能为理解民族志和考古文物的历史提供了一把钥匙。本文以巴西、巴黎和荷兰为例,分析了19世纪下半叶的收藏如何将殖民地地区与大都市地区联系起来。它进一步讨论了妇女在生产考古和人种学收藏品方面的作用,从而讨论了她们在生产人类学和考古学知识方面的地位。
Objetos em trânsito - Amélia Cavalcanti e o colecionismo do século XIX
The Marquesa de Cavalcanti Collection, hosted at the Volkenkunde Museum, in Leiden, Netherlands, is one of the oldest records of the existence of Brazilian objects in this museum. It is part of a broader collection created for the Brazilian Anthropological Exhibition, realised in 1882, and for the Universal Exhibition in Paris, realised in 1889. The main focus of this article is on the itineraries of this collection from its first exhibitions in Brazil and Paris to the Volkenkunde Collection in Leiden. Despite the challenge posed by the lack of documentation to understand the ”social life” of objects, we believe that the investigation of the itineraries of collections and the analysis of different social relations inscribed in these objects may provide a key to understanding the history of ethnographic and archaeological collections. This article analyses how collections connected colonial regions to metropolitan areas in the second half of the 19th century, in the particular case of Brazil, Paris, and the Netherlands. It further discusses the role of women in the production of archaeological and ethnographic collections and, consequently, their place in the production of anthropological and archaeological knowledge.