{"title":"流行!我的心去了:浪漫喜剧和戏剧中特定和一般爱情的声音","authors":"Max Dosser","doi":"10.5406/musimoviimag.14.3.0046","DOIUrl":null,"url":null,"abstract":"Abstract:This article argues the original compositions in the romantic comedy Music and Lyrics (2007) and the romantic drama A Star is Born (2018) illustrate the differing depictions of love in the two films—one rooted in the specificity of the on-screen relationship and the other more general and rooted in the emotion of the relationship—which reflect a distinctive positioning within their respective genres.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"251 1","pages":"46 - 60"},"PeriodicalIF":0.5000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"POP! Goes My Heart: The Sound of Specific and General Love in Romantic Comedies and Dramas\",\"authors\":\"Max Dosser\",\"doi\":\"10.5406/musimoviimag.14.3.0046\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article argues the original compositions in the romantic comedy Music and Lyrics (2007) and the romantic drama A Star is Born (2018) illustrate the differing depictions of love in the two films—one rooted in the specificity of the on-screen relationship and the other more general and rooted in the emotion of the relationship—which reflect a distinctive positioning within their respective genres.\",\"PeriodicalId\":41714,\"journal\":{\"name\":\"Music Sound and the Moving Image\",\"volume\":\"251 1\",\"pages\":\"46 - 60\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Sound and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/musimoviimag.14.3.0046\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/musimoviimag.14.3.0046","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
POP! Goes My Heart: The Sound of Specific and General Love in Romantic Comedies and Dramas
Abstract:This article argues the original compositions in the romantic comedy Music and Lyrics (2007) and the romantic drama A Star is Born (2018) illustrate the differing depictions of love in the two films—one rooted in the specificity of the on-screen relationship and the other more general and rooted in the emotion of the relationship—which reflect a distinctive positioning within their respective genres.