威尔士艺术材料分类的偏差:分散、业余和贬值

Irene Ragaller, P. Rafferty
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引用次数: 2

摘要

目的-本文的目的是探讨影响威尔士艺术材料分类的一些偏见,并研究它们是如何在图书馆分类系统和其他地方长期存在的。设计/方法论/方法-在最宽松的意义上,使用话语分析来探索研究主题。使用解释学和解释学的方法促进了对一些隐性假设和概念的检查,这些假设和概念塑造了威尔士艺术被谈论、思考和通常表现的方式。研究结果-本文探讨了威尔士艺术分类中与分散,业余和贬值分析类别相关的偏见。本文从三个话语实践实例中得出证据:国会图书馆主题标题在霍华德花园图书馆中的应用;卡迪夫大学的索尔兹伯里收藏分类计划;以及卡迪夫国家博物馆网站上的描述文字。T…
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Biases in the classification of Welsh art material: Dispersion, dilettantism and depreciation
Purpose – The purpose of this article is to explore some of the biases that affect the classification of Welsh art materials and to examine how they are being perpetuated both in library classification systems and beyond.Design/methodology/approach – A discourse analysis, in the loosest sense, was used to explore the research topic. Using a hermeneutic and interpretative approach facilitated an examination of some of the tacit assumptions and conceptions that shape the way in which Welsh art is spoken about, thought about, and generally represented.Findings – The paper explores biases in the classification of Welsh art in relation to the analytical categories of dispersion, dilettantism, and depreciation. Evidence is drawn from three examples of discursive practice: the application of Library of Congress subject headings in the library in Howard Gardens; the Salisbury Collection classification scheme at Cardiff University; and the descriptive text taken from the web site of the National Museum, Cardiff. T...
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Aslib Proceedings
Aslib Proceedings 工程技术-计算机:信息系统
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