战后身体战场上的传递抵抗行为:汉斯·马萨夸伊、露丝·克莱格尔和无名氏/玛尔塔·希勒斯自传体作品中的比较脆弱性

IF 0.2 Q3 Social Sciences
Vanessa D. Plumly
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引用次数: 0

摘要

摘要:本文记录了生活在英国占领汉堡期间的非裔德国人汉斯·马萨夸伊(Hans Massaquoi)自传体作品中的战后生存策略;Ruth kl格尔,一个奥地利出生的犹太人,在战争结束前逃离了集中营的死亡行军;无名氏/玛尔塔·希勒斯,一位在苏联占领下的柏林活动的非犹太德国白人女性。在这篇文章中,我探讨了这三个主题相对于-à-vis的脆弱性,他们在抵制种族化、性别化、国家化和/或性别暴力方面的生活经历,每个人都讲述了他们的经历。这些主题讲述了他们是如何在居住在德国空间的不同战后演员之间传递,传递和传递的。通过通过传递的行为来关注具体化经验和关系表演的交叉点,我的分析对权力如何在针对身体的暴力战争中产生相对脆弱性进行了复杂的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Passing Acts of Resistance on Postwar Bodily Battlegrounds: Comparative Vulnerabilities in the Autobiographical Works of Hans Massaquoi, Ruth Klüger, and Anonymous/Marta Hillers
Abstract:This essay chronicles the postwar survival tactics in the autobiographical writings of Hans Massaquoi, an Afro-German who lived during the British occupation of Hamburg; Ruth Klüger, an Austrian-born Jew who fled the death marches out of the concentration camps directly prior to the war's end; and Anonymous/Marta Hillers, a white German, non-Jewish woman who maneuvered Soviet-occupied Berlin. In this article I probe the comparative vulnerabilities of these three subjects vis-à-vis their lived experiences of performing resistance to racialized, sexualized, nationalized, and/or gendered violence, as each recounts them. These subjects narrate how they pass as, pass through, and pass among different postwar actors who inhabit the space of Germany. By attending to the intersections of embodied experience and relational performativity through the act of passing, my analysis renders a complex understanding of how power produces comparative vulnerabilities in violent wars waged on bodies.
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
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