{"title":"改变希伯来人:在统治树下的大屠杀幸存者角色(Etz Ha'domim Tafus)","authors":"R. Kimchi","doi":"10.13110/JEWIFILMNEWMEDI.5.2.0143","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In the Oscar award–winning film Son of Saul (László Nemes, Hungary, 2015), Holocaust atrocities are presented directly, using traditional cinematic devices. No Israeli film has ever dared do this. The Holocaust has appeared in Israeli cinema through indirect depictions, represented by the character portrayals of Holocaust survivors. The Holocaust memories of these characters were frequently silenced and, instead, their cinematic construction was exploited to allegorically reflect the Zionist ideology of the time. Under the Domim Tree (Etz Ha'domim Tafus; Eli Cohen, Israel, 1994) is a film that prominently portrays Holocaust-survivor characters in three leading roles. Its release coincided with a period of radical change in Israel. At the time two watershed agreements were signed between Israel and its former Arab enemies. Analyzing the film's depiction of Holocaust survivors makes it possible to examine the shifts in hegemonic Zionist ideology that took place during those significant years.","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"15 1","pages":"143 - 160"},"PeriodicalIF":0.1000,"publicationDate":"2019-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Altering Hebrewness: Holocaust-Survivor Characters in Under the Domim Tree (Etz Ha'domim Tafus)\",\"authors\":\"R. Kimchi\",\"doi\":\"10.13110/JEWIFILMNEWMEDI.5.2.0143\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:In the Oscar award–winning film Son of Saul (László Nemes, Hungary, 2015), Holocaust atrocities are presented directly, using traditional cinematic devices. No Israeli film has ever dared do this. The Holocaust has appeared in Israeli cinema through indirect depictions, represented by the character portrayals of Holocaust survivors. The Holocaust memories of these characters were frequently silenced and, instead, their cinematic construction was exploited to allegorically reflect the Zionist ideology of the time. Under the Domim Tree (Etz Ha'domim Tafus; Eli Cohen, Israel, 1994) is a film that prominently portrays Holocaust-survivor characters in three leading roles. Its release coincided with a period of radical change in Israel. At the time two watershed agreements were signed between Israel and its former Arab enemies. Analyzing the film's depiction of Holocaust survivors makes it possible to examine the shifts in hegemonic Zionist ideology that took place during those significant years.\",\"PeriodicalId\":40351,\"journal\":{\"name\":\"Jewish Film & New Media-An International Journal\",\"volume\":\"15 1\",\"pages\":\"143 - 160\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-05-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Film & New Media-An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/JEWIFILMNEWMEDI.5.2.0143\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/JEWIFILMNEWMEDI.5.2.0143","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Altering Hebrewness: Holocaust-Survivor Characters in Under the Domim Tree (Etz Ha'domim Tafus)
ABSTRACT:In the Oscar award–winning film Son of Saul (László Nemes, Hungary, 2015), Holocaust atrocities are presented directly, using traditional cinematic devices. No Israeli film has ever dared do this. The Holocaust has appeared in Israeli cinema through indirect depictions, represented by the character portrayals of Holocaust survivors. The Holocaust memories of these characters were frequently silenced and, instead, their cinematic construction was exploited to allegorically reflect the Zionist ideology of the time. Under the Domim Tree (Etz Ha'domim Tafus; Eli Cohen, Israel, 1994) is a film that prominently portrays Holocaust-survivor characters in three leading roles. Its release coincided with a period of radical change in Israel. At the time two watershed agreements were signed between Israel and its former Arab enemies. Analyzing the film's depiction of Holocaust survivors makes it possible to examine the shifts in hegemonic Zionist ideology that took place during those significant years.
期刊介绍:
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.