救赎之路:重新考虑佩奇修道院圣母Hodegetria教堂入口上方圣母形象的作用

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
Ljubomir Milanovic
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引用次数: 0

摘要

在大主教达尼洛二世(1324-1337)承担的项目中,佩奇修道院的教堂综合体达到了最终的形式。他开始建造圣母教堂(约1330年),作为他的坟墓所在地。他的石棺被放置在教堂的西北角,在一个细长的小空间的拱顶下面。在13世纪30年代早期,在佩奇建筑群的三个修道院教堂中增加了一个共享的教堂。Hodegetria教堂的西侧立面展示了一幅巨大的圣母像,位于从大厅通往内部的入口上方。佩奇圣母的肖像被拿来与生命之泉的圣母,以及君士坦丁堡同名修道院的圣母Zoodochos Pege的肖像作比较。然而,这种意象与洗礼的圣礼及其在拯救和复活中的作用没有联系。本文认为,与洗礼仪式的共同关联将圣母玛利亚的形象与教堂的丧葬功能和达尼洛二世的坟墓联系起来,反映了达尼洛二世个人对最后审判和救赎的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The path to redemption: Reconsidering the role of the image of the virgin above the entrance to the church of the Virgin Hodegetria at the Peć Monastery
The church complex of the monastery at Peć achieved its final form with the projects undertaken by archbishop Danilo II (1324–1337). He began with the church of the Virgin Hodegetria (circa 1330) that would house his tomb. His sarcophagus was placed in the northwestern corner of the church below the vault of a small, elongated space. A shared narthex was added to the three monastery churches included in the Peć complex in the early 1330s. The western façade of the church of Hodegetria displays a monumental image of the Mother of God above the entrance that leads from the narthex to the interior. The iconography of the Virgin in Peć has been compared to that of the Virgin as the Fountain of Life as well as with that of the icon of the Mother of God Zoodochos Pege from the homonymous monastery in Constantinople. Such imagery was not, however, associated with the sacrament of baptism and its role in salvation and resurrection. This paper argues that a shared association with the rite of baptism links the image of the Virgin Mary with the funerary function of the church and the tomb of Danilo II, reflecting Danilo II’s personal concern with the Last Judgment and salvation.
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来源期刊
Zbornik Radova Vizantoloskog Instituta
Zbornik Radova Vizantoloskog Instituta MEDIEVAL & RENAISSANCE STUDIES-
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